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This collection of social, cultural, and historical documents and popular materials, with linking explanations and commentary, will help the reader to study the play in the context of its time and cultural background. The collected materials are designed to work with the play to highlight inherent ...

This collection of social, cultural, and historical documents and popular materials, with linking explanations and commentary, will help the reader to study the play in the context of its time and cultural background. The collected materials are designed to work with the play to highlight inherent conflicts within American society which lie at the heart of Death of a Salesman, and to explore how the play affects and is affected by social mores and beliefs. Salesmanship and the changing face of business, along with perceptions of sports, gender, and families, are explored through selections drawn from a rich variety of sources that provide forceful evidence of the play's influence. Documents include essays, articles, and fiction, which have created or explored the social expectations of a typical American family in the late 1940s; unusual selections such as a self-analysis chart, an obituary, and a diary, which help to trace the history of salesmanship from the nineteenth century to the present day; and advertisements, song lyrics, speeches, how-to books, and other readings that promote an interdisciplinary study of the play.

Is death merely the cessation of life? Are our final years simply a wearing out of the body? Are hospitals and funeral homes--the bureaucratic machinery of death--capable of handling the profound spiritual dimension of dying? In The Last Passage, Donald Heinz offers wise answers to these questions ...

Is death merely the cessation of life? Are our final years simply a wearing out of the body? Are hospitals and funeral homes--the bureaucratic machinery of death--capable of handling the profound spiritual dimension of dying? In The Last Passage, Donald Heinz offers wise answers to these questions in a book that urges us to "recover a death of our own" and to view our final years as a fulfillment, a "last career." Despite the recent spate of books on death and dying, death remains a fact our culture tries desperately to ignore. In other times and in other cultures, preparing for death was seen as an important spiritual task--perhaps the most important task of our lives. Heinz argues that we can reconceive of death, reinvest it with meaning, and save it from becoming a meaningless biological event. Seeking appropriate models for such a reconstruction, Heinz offers a fascinating overview of the many ways death has been envisioned and ritualized throughout human history, from the Tibetan Book of the Dead to 15th century Christian ars moriendi--manuals on the art of dying--and from Jean Paul Sartre to Elizabeth Kubler-Ross. He also surveys the more recent contributions of psychologists, anthropologists, cultural critics, and death awareness advocates, whose efforts have largely failed to integrate death into a larger human story and the larger human community. Finally, Heinz shows us how we might create rituals through the use of music, visual arts, dance, drama, and language that would enable us to approach death with reverence, as the spiritual consummation of our lives.