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In this major study of the work of Joanna Russ, Jeanne Cortiel gives a clear introduction to the major feminist issues relevant to Russ’s work and assesses its development. The book will be especially valuable for students of SF and feminist SF, especially in its concern with the function of ...

In this major study of the work of Joanna Russ, Jeanne Cortiel gives a clear introduction to the major feminist issues relevant to Russ’s work and assesses its development. The book will be especially valuable for students of SF and feminist SF, especially in its concern with the function of woman-based intertextuality. Although Cortiel deals principally with Russ’s novels, she also examines her short stories, and the focus on critically neglected texts is a particularly valuable feature of the study. "I recommend this book to any reader interested in Russ’s fiction, or in women’s science fiction generally."--Science Fiction Studies

Barbara Caine offers the first complete overview of the history of `modern' English feminism, from the French Revolution through to the advent of Women's Liberation. Her analysis of feminist organizations, debates, and campaigns shows a keen sense of the relationship between feminist thought and ...

Barbara Caine offers the first complete overview of the history of `modern' English feminism, from the French Revolution through to the advent of Women's Liberation. Her analysis of feminist organizations, debates, and campaigns shows a keen sense of the relationship between feminist thought and actions, and wider social and cultural change. The result is a fascinating study with a new perspective on feminists and feminist traditions, which can be used both as an introductory text and as an interpretative work. Professor Caine examines the complex questions surrounding the concept of a feminist 'tradition', and shows how much the feminism of any particular period related to the years preceding or following it. Though feminism may have lacked the kind of legitimating tradition evident in other forms of political thought, the ghost of Mary Wollstonecraft is seen here as something which all nineteenth- and twentieth-century feminists had to come to terms with. Her story was a constant reminder of the connection between the demand for political and legal rights, and its conflation with the issues of personal and sexual rebellion. Like Mary Wollstonecraft, every woman pioneer into the public arena was faced with assaults on her honour as well as on her intellectual position. Professor Caine also addresses the language of feminism: the introduction and changing meanings of the term `feminist' the importance of literary representations of women; and the question of how one defines feminism, and establishes boundaries between feminism and the `woman question'. She ends with a discussion of the new emphasis, post-1980s, on the need to think about `feminisms' in the plural, rather than any single kind of feminism.

In this powerful work, Susan Friedman moves feminist theory out of paralyzing debates about us and them, white and other, first and third world, and victimizers and victims. Throughout, Friedman adapts current cultural theory from global and transnational studies, anthropology, and geography to ...

In this powerful work, Susan Friedman moves feminist theory out of paralyzing debates about us and them, white and other, first and third world, and victimizers and victims. Throughout, Friedman adapts current cultural theory from global and transnational studies, anthropology, and geography to challenge modes of thought that exaggerate the boundaries of gender, race, ethnicity, sexuality, class, and national origin. The author promotes a transnational and heterogeneous feminism, which, she maintains, can replace the proliferation of feminisms based on difference. She argues for a feminist geopolitical literacy that goes beyond fundamentalist identity politics and absolutist poststructuralist theory, and she continually focuses the reader's attention on those locations where differences are negotiated and transformed.

Pervading the book is a concern with narrative: the way stories and cultural narratives serve as a primary mode of thinking about the politically explosive question of identity. Drawing freely on modernist novels, contemporary film, popular fiction, poetry, and mass media, the work features narratives of such writers a