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In Bad Language, Naked Ladies and Other Threats to the Nation, Anne Rubenstein examines how comic books-which were overwhelmingly popular but extremely controversial in post-revolutionary Mexico-played an important role in the development of a stable, legitimate state. Studying the relationship of ...

In Bad Language, Naked Ladies and Other Threats to the Nation, Anne Rubenstein examines how comic books-which were overwhelmingly popular but extremely controversial in post-revolutionary Mexico-played an important role in the development of a stable, legitimate state. Studying the relationship of the Mexican state to its civil society from the 1930s to the 1970s through comic books and their producers, readers, and censors, Rubenstein shows how these thrilling tales of adventure-and the debates over them-reveal much about Mexico's cultural nationalism and government attempts to direct, if not control, social change.Since their first appearance in 1934, comic books enjoyed wide readership, often serving as a practical guide to life in booming new cities. Conservative protest against the so-called immorality of these publications, of mass media generally, and of Mexican modernity itself, however, led the Mexican government to establish a censorship office that, while having little impact on the content of comic books, succeeded in directing conservative ire away from government policies and toward the Mexican media. Bad Language, Naked Ladies and Other Threats to the Nation examines the complex dynamics of the politics of censorship occasioned by Mexican comic books, including the conservative political campaigns against them, government and industrial responses to such campaigns, and the publishers' championing of Mexican nationalism and their efforts to preserve their publishing empires through informal influence over government policies. Rubenstein's analysis suggests a new Mexican history after the revolution, one in which negotiation over cultural questions replaced open conflict and mass-media narrative helped ensure political stability.This book will engage readers with an interest in Mexican history, Latin American studies, cultural studies, and popular culture.

Here, in one impressively illustrated volume, leading scholars offer compelling glimpses into the biblical world, the world in which prophets, poets, sages, and historians created one of our most important texts-- the Bible. For more than a century, archeologists have been unearthing the tombs ...

Here, in one impressively illustrated volume, leading scholars offer compelling glimpses into the biblical world, the world in which prophets, poets, sages, and historians created one of our most important texts-- the Bible. For more than a century, archeologists have been unearthing the tombs, temples, texts, and artifacts of the ancient Near East and the Mediterranean world. Using new approaches, contemporary scholars have begun to synthesize this material with the biblical traditions. The Oxford History of the Biblical World incorporates the best of this scholarship, and in chronologically ordered chapters presents the reader with a readable and integrated study of the history, art, architecture, languages, literatures, and religion of biblical Israel and early Judaism and Christianity in their larger cultural contexts. The authors also examine such issues as the roles of women, the tensions between urban and rural settings, royal and kinship social structures, and official and popular religions of the region. Readers will find that 200 photographs, line drawings, and maps as well as an insert containing 25 color photographs vividly illustrate the history discussed. Understanding the biblical world is a vital part of understanding the Bible. Broad, authoritative, and visually engaging, The Oxford History of the Biblical World will illuminate for any reader the ancient world from which the Bible emerged.

When J.R.R. Tolkien died in 1973, he left behind a vast body of unpublished material related to the imaginary world of his fiction. Now arranged edited and published as The History of Middle-earth by his son and literary executor, Christopher Tolkien, these 12 volumes offer an unparalleled insight ...

When J.R.R. Tolkien died in 1973, he left behind a vast body of unpublished material related to the imaginary world of his fiction. Now arranged edited and published as The History of Middle-earth by his son and literary executor, Christopher Tolkien, these 12 volumes offer an unparalleled insight into the growth of Tolkien's mythology over five decades. This book is the first comprehensive critical examination of The History of Middle-earth. An opening easy by Rayner Unwin, Tolkien's publisher for many years, discusses the publication history of the material, while essays by expert contributors examine a broad range of topics related to the work.