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Interracialism, or marriage between members of different races, has formed, torn apart, defined and divided our nation since its earliest history. This collection explores the primary texts of interracialism as a means of addressing core issues in our racial identity. Ranging from Hannah Arendt to ...

Interracialism, or marriage between members of different races, has formed, torn apart, defined and divided our nation since its earliest history. This collection explores the primary texts of interracialism as a means of addressing core issues in our racial identity. Ranging from Hannah Arendt to George Schuyler and from Pace v. Alabama to Loving v. Virginia, it provides extraordinary resources for faculty and students in English, American and Ethnic Studies as well as for general readers interested in race relations. By bringing together a selection of historically significant documents and of the best essays and scholarship on the subject of "miscegenation," interracialism demonstrates that notions of race can be fruitfully approached from the vantage point of the denial of interracialism that typically informs racial ideologies.

Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making ...

Why can a "white" woman give birth to a "black" baby, while a "black" woman can never give birth to a "white" baby in the United States? What makes racial "passing" so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making "miscegenation" appear as if it were incest? When did the myth that one can tell a person's race by the moon on their fingernails originate? How did blackness get associated with "the curse of Ham" when the Biblical text makes no reference to skin colour at all? Werner Sollors examines these questions and others in Neither Black Nor White Yet Both, a new and exhaustively researched exploration of "interracial literature". In the past, interracial texts have been read more for a black-white contrast of "either-or" than for an interracial realm of "neither, nor, both, and in-between". Intermarriage prohibitions have been legislated throughout the modern period and were still in the law books in the 1980s. Stories of black-white sexual and family relations have thus run against powerful social taboos. Yet much interracial literature has been written, and this book suggests its pervasiveness and offers new comparative and historical contexts for understanding it. Looking at authors from Heliodorus, John Stedman, Buffon, Thomas Jefferson, Heinrich von Kleist, Victor Hugo, Aleksandr Sergeevic Puskin, and Hans Christian Andersen, to Lydia Marie Child, Harriet Beecher Stowe, William Wells Brown, Mark Twain, Charles Chesnutt, Kate Chopin, Cirilo Villaverde, Aluisio Azevedo, and Pauline Hopkins, and on to modern writers such as Langston Hughes, Jessie Fauset, Boris Vian, and William Faulkner, Sollors ranges across time, space, and cultures, analysing scientific and legal works as well as poetry, fiction, and the visual arts, to explore the many themes and motifs interwoven throughout interracial literature. From the etymological origins of the term "race" to the cultural sources of the "Tragic Mulatto," Sollors examines the recurrent images and ideas in this literature of love, family, and other relations between blacks, whites, and those of "mixed race." Sollors's interdisciplinary explorations of literary themes yield many insights into the history and politics of "race," and illuminate a new understanding of the relations between cultures through the focus on interracial exchanges. Neither Black Nor White Yet Both is vital reading for anyone who seeks to understand what has been written and said about "race," and where interracial relations can go from here.

Colonial Women examines the women-as-land metaphor in English colonial dramatic literature of the seventeenth century, and looks closely at the myths of two historical native female figures--Pocahontas of Virginia and Malinche of Mexico--to demonstrate how these two stories are crucial to ...

Colonial Women examines the women-as-land metaphor in English colonial dramatic literature of the seventeenth century, and looks closely at the myths of two historical native female figures--Pocahontas of Virginia and Malinche of Mexico--to demonstrate how these two stories are crucial to constructions of gender, race, and English nationhood in the drama and culture of the period. Heidi Hutner's interpretations of the figure of the native woman in the plays of Shakespeare, Fletcher, Davenant, Dryden, and Behn reveal how the English patriarchal culture of the seventeenth century defined itself through representations of native women and European women who have "gone native." These playwrights use the figure of the native woman as a symbolic means to stabilize the turbulent sociopolitical and religious conflicts in Restoration England under the inclusive ideology of expansion and profit. Colonial Women uncovers the significance of the repeated dramatic spectacle of the native women falling for her European seducer and exploiter, and demonstrates that this image of seduction is motivated by an anxiety-laden movement to reinforce patriarchal authority in seventeenth-century England.