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Using the documents assembled by the World Centre for Jewish Music in Palestine (WCJMP) during the five years of its activities in the late 1930s, this volume examines the history of European Jewish music on the eve of its destruction. The many voices of the musicians and intellectuals forced to ...

Using the documents assembled by the World Centre for Jewish Music in Palestine (WCJMP) during the five years of its activities in the late 1930s, this volume examines the history of European Jewish music on the eve of its destruction. The many voices of the musicians and intellectuals forced to flee from the growing spectre of Nazism speak in this book about the transformation of the Jewish communities of Europe, the difficulties faced before and during exile, and the growing human and cultural tragedy faced by European Jewish culture. Bohlman has translated selected documents from the correspondence and publications of the World Centre for Jewish Music, introduced their unique and compelling themes, and provided commentaries on all documents and their authors.

Music historian Irene Heskes takes a topical and chronological approach to present an exhaustive examination of the history, form and meaning of Jewish musical traditions. Chapters include: Documenting the Heritage; Bible, Liturgy, and Cantorial Art; The Musical Heritage of Sephardic and Oriental ...

Music historian Irene Heskes takes a topical and chronological approach to present an exhaustive examination of the history, form and meaning of Jewish musical traditions. Chapters include: Documenting the Heritage; Bible, Liturgy, and Cantorial Art; The Musical Heritage of Sephardic and Oriental Jewry; Music of Mysticism and Piety; The Yiddish Musical World of Eastern Europe; The Holocaust Era; America; The Music of Zion and Israel; Composers and Compositions; and Women.

This book presents a social history of the music of the Jewish community in Palestine from the beginnings of Jewish immigration to Palestine in 1880 to the declaration of the State of Israel in 1948. The story is a fascinating case study of a small society of immigrants and refugees who established ...

This book presents a social history of the music of the Jewish community in Palestine from the beginnings of Jewish immigration to Palestine in 1880 to the declaration of the State of Israel in 1948. The story is a fascinating case study of a small society of immigrants and refugees who established an internationally recognized professional musical establishment against the backdrop of two world wars, the absorption of successive waves of immigrants, local skirmishes, and a full-scale national war. Though under Ottoman and later British rule, Jewish society in Palestine was virtually autonomous in cultural matters; its musical culture struggled for a balance between a transplanted European heritage and a powerful, ideologically driven desire to find inspiration from the East. Hirshberg opens with a description of music in Palestine under Ottoman rule, and then proceeds to chart the momentous history of the next seventy years in a broadly chronological framework. His final chapters center on the broad array of ideological and social polemics which dominated the musical scene for the entire period.

Across the United States, Jews come together every week to sing and pray in a wide variety of worship communities. Through this music, made by and for ordinary folk, these worshippers define and re-define their relationship to the continuity of Jewish tradition and the realities of American life ...

Across the United States, Jews come together every week to sing and pray in a wide variety of worship communities. Through this music, made by and for ordinary folk, these worshippers define and re-define their relationship to the continuity of Jewish tradition and the realities of American life. Combining oral history with an analysis of recordings, The Lord's Song in a Strange Land examines this tradition incontemporary Jewish worship and explores the diverse links between the music and both spiritual and cultural identities. Alive with detail, the book focuses on metropolitan Boston and covers the full range of Jewish communities there, from Hasidim to Jewish college students in a transdenominational setting. It documents a remarkably fluid musical tradition, where melodies are often shared, where sources can be as diverse as Sufi chant, Christmas carols, rock and roll, and Israeli popular music, and where the meaning of a song can change from one block to the next. The Lord's Song in a Strange Land is the first volume in Oxford's new American Musicspheres series. Featuring a CD of field recordings for many of the songs discussed, the book will prove an invaluable guide for a wide range of scholars and students of ethnomusicology and religion.

This book is a detailed examination of the literature and archaeology pertaining to specific sites (in Palestine, Jerusalem, Bethlehem, Memre, Nazareth, Capernaum, and elsewhere) and the region in general. Taylor contends that the origins of these holy places and the phenomenon of Christian ...

This book is a detailed examination of the literature and archaeology pertaining to specific sites (in Palestine, Jerusalem, Bethlehem, Memre, Nazareth, Capernaum, and elsewhere) and the region in general. Taylor contends that the origins of these holy places and the phenomenon of Christian pilgrimage can be traced to the emperor Constantine, who ruled over the eastern Empire from 324. He contends that few places were actually genuine; the most important authentic site being the cave (not Garden) of Gethsemane, where Christ was probably arrested. Extensively illustrated, this lively new look at a topic previously shrouded in obscurity should interest students in scholars in a range of disciplines.