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Latin American culture has given birth to numerous dramatic works, though it has often been difficult to locate information about these plays and playwrights. This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its ...

Latin American culture has given birth to numerous dramatic works, though it has often been difficult to locate information about these plays and playwrights. This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its history from the pre-Columbian period to the present. Sections cover individual Latin American countries. Each section features alphabetically arranged entries for playwrights, independent theaters, and cultural movements.

"On one level, this is a brilliant scholarly answer to the bedeviling question asked by non-Latin Americanists, 'What is Latin American literature like?' On another level, it coordinates and clarifies, for specialists, the complex of current issues that are often confusing and even discouraging ...

"On one level, this is a brilliant scholarly answer to the bedeviling question asked by non-Latin Americanists, 'What is Latin American literature like?' On another level, it coordinates and clarifies, for specialists, the complex of current issues that are often confusing and even discouraging because they are incompletely understood."--John S. Brushwood, Roberts Professor Emeritus of Latin American Literature, University of KansasLiterature in Latin America has long been a vehicle for debates over the interpretation of social history, cultural identity, and artistic independence. Indeed, Latin American literature has gained international respect for its ability to present social criticism through works of imaginative creation.In this comprehensive, up-to-the-minute survey of research and opinion by leading Latin American cultural and literary critics, Naomi Lindstrom examines five concepts that are currently the focus of intense debate among Latin American writers and thinkers. Writing in simple, clear terms for both general and specialist readers of Latin American literature, she explores the concepts of autonomy and dependency, postmodernism, literary intellectuals and the mass media, testimonial literature, and gender issues, including gay and lesbian themes. Excerpts (in English) from relevant literary works illustrate each concept, while Lindstrom also traces its passage from the social sciences to literature.

Myth and Archive presents a new theory of the origin and evolution of Latin American literature and the emergence of the modern novel. In this influential, award-winning exploration of Latin American writing from colonial times to the present, Roberto Gonzalez Echevarria dispenses with traditional ...

Myth and Archive presents a new theory of the origin and evolution of Latin American literature and the emergence of the modern novel. In this influential, award-winning exploration of Latin American writing from colonial times to the present, Roberto Gonzalez Echevarria dispenses with traditional literary history to reveal the indebted relationship of the novel to legal, scientific, and anthropological discourses.

Providing ways to link literary and nonliterary narratives, Gonzalez Echevarria examines a variety of archival writings -- from the chronicles of the discovery and conquest of the New World to scientific travel narratives and records of criminal confessions -- and explores the relationship of these writings to novels by authors such as Garcia Marquez, Borges, Barnet, Sarmiento, Carpentier, and Garcilaso de la Vega. Moving beyond demonstrating that early forms of creative narrative had their geneses in the sixteenth-century authoritative discourse of the Spanish Empire, Gonzalez Echevarria shows,how this same originating process has been repeated in other key moments in the history of the Latin American narrative. He shows how the discourse of scientific discovery was the model for much nineteenth-century literature, as well as how anthropological writings on the nature of language and myth have come to shape the ideology and form of literature in the twentieth century. This most recent form of Latin American narrative creates its own mythic form through an atavistic return to its legal origins -- the archive.

This acclaimed book -- originally published in 1990 -- will be of continuing interest to historians, anthropologists, literary theorists, and students of LatinAmerican culture.

In the last 50 years, Latin American literature has become one of the primary focuses of U.S. intellectual attention. This behind-the-scenes account focuses on the efforts of those Americans--publishers, critics, editors, and writers--who brought recognition to Latin American writing. Rostagno ...

In the last 50 years, Latin American literature has become one of the primary focuses of U.S. intellectual attention. This behind-the-scenes account focuses on the efforts of those Americans--publishers, critics, editors, and writers--who brought recognition to Latin American writing. Rostagno explores how the promotion and reception of Latin American literature in this country involve such issues as North American literary tastes and publishing strategies and are part of a larger and more complex picture of inter-American cultural and commercial relations. This fascinating story of the creation of an international audience for a literature explores the roles of critic Waldo Frank, publishers Blanche and Alfred Knopf, editors Margaret Randall and Sergio Mondragon, and the Center for Inter-American Relations.