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Until he won the Nobel Prize for the literature in 1988, little was known in the West about the life and literary accomplishments of Naguib Mahfouz, an Egyptian and the first Arab to receive the award. His writing, here examined by Matti Moosa in its original Arabic, thereafter became widely ...

Until he won the Nobel Prize for the literature in 1988, little was known in the West about the life and literary accomplishments of Naguib Mahfouz, an Egyptian and the first Arab to receive the award. His writing, here examined by Matti Moosa in its original Arabic, thereafter became widely available and widely scrutinized. Moosa introduces Mahfouz and his principal works to a Western audience by examining his treatment of social, political, and religious themes against the background of twentieth-century Egypt. Often compared to Dickens and Balzac, Mahfouz portrays the condition of the poor and oppressed in a realistic and classically Arabic style. Concentrating on the early novels, Moosa discusses such themes as conflict between generations, the changing role of women, and the humiliating inefficiency of bureaucracy. He describes how Mahfouz, a moderate Muslim, explains Islamic tradition and its place in a modern technological world. Moosa begins with Mahfouz's formative years as an essayist and ends with his Awlad Haratina (translated as Children of Gebelawi), which was considered blasphemous by Islamic fundamentalists when it was serialized in Cairo's daily newspaper in 1959. (It has never been published in book form in Egypt.) He devotes nearly half of the book to Mahfouz's Thulathiyya (Trilogy, completed in 1952), which Mahfouz considers his best work. These novels in particular, Moosa says, accurately convey Mahfouz's representation of both the religious ideas of the zealous Muslim Brotherhood and the tolerant ideas of many modern Muslims. At the same time they offer abundant insight into the social and religious attitudes of Egyptians from all walks of life and of Arab andIslamic culture and institutions.

How can the culturally diverse communities of America live justly and fruitfully together? Not by assimilation into the dominant culture -- nor by fighting for the freedom to pursue our own self-interest at the cost of our repressing both the wounds and the promising potential of our own cultural ...

How can the culturally diverse communities of America live justly and fruitfully together? Not by assimilation into the dominant culture -- nor by fighting for the freedom to pursue our own self-interest at the cost of our repressing both the wounds and the promising potential of our own cultural roots. This book offers a theory and practice of transformation that shows, especially through literature, education, and politics, how we can create a multicultural society that liberates our being as a fulfillment of the story of democracy. Perhaps for the first time in American history we are seeing the personal, political, historical, and sacred faces of women, people of color, and all ethnic groups as they tell their stories. It is this emerging scholarship that constitutes the new multicultural and feminine face of the story of democracy.