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O'Connell examines the role of socially constructed masculinity in Updike's Rabbit tetralogy - Rabbit Run, Rabbit Redux, Rabbit Is Rich, and Rabbit at Rest - convincingly arguing that the four novels comprise the longest and most comprehensive representation of masculinity in American literature and ...

O'Connell examines the role of socially constructed masculinity in Updike's Rabbit tetralogy - Rabbit Run, Rabbit Redux, Rabbit Is Rich, and Rabbit at Rest - convincingly arguing that the four novels comprise the longest and most comprehensive representation of masculinity in American literature and place Updike firmly with the precursors of the contemporary movement among men to reevaluate their cultural inheritance. A disturbing element exists, O'Connell determines, in both the texts of the Rabbit novels and in the critical community that examines them. In the novels, O'Connell finds substantial evidence to demonstrate patterns of psychological and physical abuse toward women, citing as the culminating example the mounting toll of literally or metaphorically dead women in the texts. Critics who view Updike as a nonviolent writer and strangely overlook Rabbit's repressive and violent behaviors avoid a discomforting but crucial aspect of the characterization. Although she examines negative aspects of Rabbit's behavior, O'Connell avoids the oversimplification of labeling Updike a misogynist. Instead, she looks closely at the forces shaping Rabbit's gender identity as well as at the ways he experiences masculinity and the ways his gender identity affects his personal and spiritual development, his relationships, and, ultimately, his society. As she discusses these issues, O'Connell uses the term patriarchy in its broadest sense to refer to the practice of centralizing the male and marginalizing the female in all areas of human life. Patriarchal ideology - the assumptions, values, ideas, and patterns of thought that perpetuate the arrangement - is written as hidden text, permeating everyaspect of culture, particularly language, from which it spreads to other signifying systems. Contrary to conventional critical wisdom, the Rabbit tetralogy is not a straightforward chronicle; the novels create meaning by chal

White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and ...

White men still hold most of the political and economic cards in the United States; yet stories about wounded and traumatized men dominate popular culture. Why are white men jumping on the victim bandwagon? Examining novels by Philip Roth, John Updike, James Dickey, John Irving, and Pat Conroy and such films as Deliverance, Misery, and Dead Poets Society -- as well as other writings, including The Closing of the American Mind -- Sally Robinson argues that white men are tempted by the possibilities of pain and the surprisingly pleasurable tensions that come from living in crisis.

In Masculinity Besieged? Xueping Zhong looks at Chinese literature and films produced during the 1980s to examine male subjectivities in contemporary China. Reading through a feminist psychoanalytic lens, Zhong argues that understanding the nature of male subjectivities as portrayed in literature ...

In Masculinity Besieged? Xueping Zhong looks at Chinese literature and films produced during the 1980s to examine male subjectivities in contemporary China. Reading through a feminist psychoanalytic lens, Zhong argues that understanding the nature of male subjectivities as portrayed in literature and film is crucial to understanding China's ongoing quest for modernity.

Before the 1990s' onslaught of popular culture decentered the role of intellectuals within the nation, they had come to embody Chinese masculinity during the previous decade. The focus on masculinity in literature had become unprecedented in scale and the desire for "real men" began to permeate Chinese popular culture, making icons out of Rambo and Takakura Ken. Stories by Zhang Xianliang and Liu Heng portraying male anxiety about masculine sexuality are employed by Zhong to show how "marginal" males negotiate their sexual identities in relation to both women and the state. Looking at writers popular among not only the well-educated but also the working and middle classes, she discusses works by Han Shaogong, Yu Hua, and Wang Shuo and examines instances of self-loathing male voices, particularly as they are articulated in Mo Yan's well-known work Red Sorghum. In her last chapter Zhong examines "roots literature", which speaks of the desire to create strong men as a part of the effort to create a geopolitically strong Chinese nation. In an afterword, Zhong situates her study in the context of the 1990s.

This book will be welcomed by scholars of Chinese cultural studies, as well as in literary and gender studies.

This comprehensive study of Roman sexuality and the ideologies of masculinity discusses a wide range of ancient texts, arguing that native Roman concepts of masculinity did not rely on the distinction between homosexuality and heterosexuality, but were instead structured around such antitheses as ...

This comprehensive study of Roman sexuality and the ideologies of masculinity discusses a wide range of ancient texts, arguing that native Roman concepts of masculinity did not rely on the distinction between homosexuality and heterosexuality, but were instead structured around such antitheses as free vs. slave, dominant vs. subordinate, and masculine vs. effeminate.