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During the 1992 Democratic Convention and again while delivering Harvard University's commencement address two years later, Vice President Al Gore shared with his audience a story that showed the effect of sentiment in his life. In telling how an accident involving his son had provided him with a ...

During the 1992 Democratic Convention and again while delivering Harvard University's commencement address two years later, Vice President Al Gore shared with his audience a story that showed the effect of sentiment in his life. In telling how an accident involving his son had provided him with a revelation concerning the compassion of others, Gore effectively reconstructed himself as a typical, middle-class American for whom sympathy can lead to salvation. This contemporary reiteration of mid-nineteenth-century American sentimental discourse proves to be a fruitful point of departure for Mary Louise Kete's argument that sentimentality has been an important and recurring form of cultural narrative that has helped to shape middle-class American life.

Many scholars have written about the sentimental novel as a primarily female genre and have stressed its negative ideological aspects. Kete finds that in fact many men -- from writers to politicians -- participated in nineteenth-century sentimental culture. Importantly, she also recovers the utopian dimension of the phenomenon, arguing that literary sentimentality, specifically in the form of poetry, is the written trace of a broad cultural discourse that Kete calls "sentimental collaboration" -- an exchange of sympathy that establishes common cultural or intellectual ground. Kete reads the work of Ralph Waldo Emerson, Henry Wadsworth Longfellow, Mark Twain, Harriet Beecher Stowe, and Lydia Huntley Sigourney with an eye toward the deployment of sentimentality for the creation ot Americanism, as well as for political and abolitionist ends. Finally, she locates the origins of sentimental collaboration in the activities of ordinary people whoparticipated in mourning rituals -- writing poetry, condolence letters, or epitaphs -- to ease their, personal grief.

Sentimental Collaborations significantly advances prevailing scholarship on Romanticism, antebellum cul

Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder. Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the ...

Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder. Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directing the book towards students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, analyzing, and performing again, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the volume features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end-of-chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song.

Confronting a Bronzino portrait in an English country house, a young American heiress comes face to face with her own predicament. For Milly Theale, who seems to have the world before her and at her feet, is fatally ill. Eager for life, eager for love, she embarks on her European adventure, warming ...

Confronting a Bronzino portrait in an English country house, a young American heiress comes face to face with her own predicament. For Milly Theale, who seems to have the world before her and at her feet, is fatally ill. Eager for life, eager for love, she embarks on her European adventure, warming to the admiration of her new friends Kate Croy and Merton Densher. But Merton and Kate are secretly engaged, and come to see in this angel with a thumping bank account as a solution to their own problems. For the remarkable Kate, scheming, passionate, poetic, also wants to live... This edition of James's poignant and dramatic novel is based on the revised New York Edition. The cover pictures the Bronzino portrait which is the focus of the key scene in the book.

Transfiguring America is the product of more than eight years of research and numerous published articles on Margaret Fuller, arguably one of nineteenth-century America's most ardent feminists. Focusing on Fuller's development of a powerful language of cultural critique and mythmaking in the years ...

Transfiguring America is the product of more than eight years of research and numerous published articles on Margaret Fuller, arguably one of nineteenth-century America's most ardent feminists. Focusing on Fuller's development of a powerful language of cultural critique and mythmaking in the years immediately preceding her famous book Woman in the Nineteenth Century, Steele shows why Fuller had such a profound impact on the women's rights movement and modern conceptions of female identity.

Following a strict upbringing and severe tutelage by her father, Fuller went on to make a life as a writer, teacher, and champion for women's rights and equality. She formed many important relationships, most notably with Ralph Waldo Emerson. While Emerson taught Fuller a great deal, including the way to an "inner life", he fell short, as her father had done. But her spiritual struggles with her upbringing and relationships led to her continued intellectual maturity.

Fuller demanded not only political equality for women, but also emotional, intellectual, and spiritual freedom. With Woman in the Nineteenth Century, she advanced the cause of women's rights, urging women to find independence from the roles society had imposed upon them, in the home and with the family. She also promoted legal reform to end inequalities to women and spoke frankly on issues of marriage and relationships. While it shocked many, the first edition of the book sold out within a week in 1845 and sparked serious debate.

In Transfiguring America, Steele takes an in-depth look at Fuller's philosophy before this famous book, and how it makes her an important contributor to theoretical debates. He points out that Fuller'spersonal experiences and her cultural critiques are, in fact, the heart of her distinctive and highly influential writing. This book is further evidence that in addition to her role as one of nineteenth-century America's most po

The unexpected death of Diana, Princess of Wales, in Paris on August 31st 1997 led to a period of mourning over the next week that took the world by surprise. Major institutions - the media, the royal family, the church, the police - for once had no pre-planned script. For the public, this was a ...

The unexpected death of Diana, Princess of Wales, in Paris on August 31st 1997 led to a period of mourning over the next week that took the world by surprise. Major institutions - the media, the royal family, the church, the police - for once had no pre-planned script. For the public, this was a story with an ending they had not anticipated. How did these institutions and the public create a cultural order in the face of such disorder? Both those involved in the mourning and those who objected to it struggled to understand the depth and breadth of emotion shaking Britain and the world.Mourning was focused on London, where Diana's body lay, and on Diana's home, Kensington Palace. Throughout the city and especially in Kensington Gardens, millions left shrines to the dead princess made of flowers, messages, teddy bears and other objects. In towns and villages around the UK, this was repeated. The mourning was also global, with media dominated by Diana's death in scores of countries. The funeral itself had a record-breaking world television audience, and messages of condolence floated around the globe in cyber-space.How unique was all this? Does it mark a shift in the culture of mourning, of the position of the monarchy, of the role of emotion in British culture? How does it compare with the mourning for other super-icons - JFK, Evita, Elvis, and Monroe? Was it media-induced hysteria? Or was it simply a magnification of normal mourning behaviour? Focusing on the extraordinary actions of millions of ordinary people, this book documents what happened and shows how a modern rational society coped with the unexpected in a proto-revolutionary week that left participants and objectors alike asking 'why did we behave like this?'