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With this volume, poet Robert Bagg completes his translation of the three plays in which Sophocles dramatized the agony and destruction inflicted on Oedipus and his family, the royal house of Thebes. To the newly revised Oedipus the King, first published in 1982, Bagg adds Antigone and Oedipus at ...

With this volume, poet Robert Bagg completes his translation of the three plays in which Sophocles dramatized the agony and destruction inflicted on Oedipus and his family, the royal house of Thebes. To the newly revised Oedipus the King, first published in 1982, Bagg adds Antigone and Oedipus at Kolonos. Composed decades apart in the fifth century BCE, these tragedies hold a central place in Western literature--not only because of the formal beauty and dramatic power of their poetry, but because of the shocking ironies that convey Sophocles' understanding of divine malice and human vulnerability. Bagg's goal has been to make accurate but idiomatic renderings of the Greek originals that are suitable for reading, teaching, or performing. What makes his versions "leaner, tauter, more luminous and Sophoclean than other translations," writes classicist Richard P. Martin, is Bagg's "decision to follow the American poetic tradition of Stevens, Pound, and Frost rather than the English tradition" of mostother contemporary translators. Readers and actors alike will find these translations loyal to Sophocles' characteristic directness and concision, his pervasive irony, his unsparing descriptions of physical violence, and the music of his choral songs. Each character speaks with a distinctive voice; each play possesses a tone expressive of the issues that preoccupied Sophocles during the stages of his long engagement with the fate of Oedipus, his wife/mother Jocasta, and their children. In the introductions, Bagg and his wife Mary discuss factors in ancient Greek social and cultural life that are likely to be unfamiliar to the general reader but are central to interpreting Sophocles' meaning.They have also annotated each play to clarify mythological references and points of interpretation and translation. In their general introduction they explore the origins of Greek theater, the nature of the Athenian festival of

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order ...

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the sense of poetry evident in the originals. Under the editorship of Peter Burian and Alan Shaprio, each volume includes a critical introduction, commentary on difficult passages, ample stage directions, and a glossary of the mythical names and geographical references encountered in the dialogue. Sophocles' Oedipus the King paves the way as the first in the series to appear in paperback. In this highly-acclaimed translation of the greatest of all Greek tragedies, Stephen Berg--the well-known poet--and Diskin Clay--the distinguished classicist--combine their talents to offer the contemporary reader a dazzling version of Sophocles' timeless work. Emphasizing the intensity of the spoken language, they capture the unrelenting power of Sophoclean drama. No other English translation conveys the same terrifying emotional level, especially in the choral odes, the forceful descriptions of Jokasta's death, the blinding of Oedipus, and the final scene of desolation. Berg and Clay's translation--now available for the first time in paperback--both adheres strictly to the original meaning of the play and breathes new life into its language.