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A long overdue comparative study of the American voices in hemispheric poetry, this book brings cross-cultural and interdisciplinary considerations to the work of Whitman and Neruda. Nolan proposes American Indian poetics as the model for the poets' own poetics. Whitman and Neruda wrote from an ...

A long overdue comparative study of the American voices in hemispheric poetry, this book brings cross-cultural and interdisciplinary considerations to the work of Whitman and Neruda. Nolan proposes American Indian poetics as the model for the poets' own poetics. Whitman and Neruda wrote from an Americanist perspective. Both developed an oral, tribal poetics and assumed shamanic voices and personae in their major works, 'Leaves of Grass' and 'Canto General'. The fresh reading of two major American poets helps to break through the partitions that separate the native, English and Spanish poetic responses to the American hemisphere.

ôSpellbinding book. . . . The essays deserve to be read and reread at the slowest, most appreciative pace possible.ö -Boston Review The scope of The Forged Feature is two-fold: to bring together a representative selection of critical essays bearing on Belitt's interests as poet, critic, teacher ...

ôSpellbinding book. . . . The essays deserve to be read and reread at the slowest, most appreciative pace possible.ö -Boston Review The scope of The Forged Feature is two-fold: to bring together a representative selection of critical essays bearing on Belitt's interests as poet, critic, teacher, and translator; and to furnish an on-going review of his concern with the encoding of languages and the exigencies of their imaginative retrieval. The collection begins with three pieces on the uses of belief, linguistic and place as shaping forces in the concretizing of the literary artifact. The second section of essays examines the fictive medium in terms of a number of "predicaments." The discussion embraces texts such as parables, novels, and autobiographical meoirs covering a broad range of twentieth century talents: Kafka, Borges, V.S. Naipaul, Saul Bellows, and Pablo Neruda. The third section is devoted to the theory and practice of translation developed from Belitt's personal lifetime of experience. Finally, there is a sequence of four essays on the uses of "new physics" of quantum mechanics and its uncanny relevance to the accountability of poetry. Belitt re-evaluates Gerard Manley Hopkins as a "scientific" rather than a priestly crafter of a medium, and touches upon diverse traditions and talents such as Keats, Blake, Stevens, Bishop, Yeats, Baudelaire, Rimbaud, Cocteau, W.C. Williams, Michado, Rilke, Wordsworth, and Coleridge. The brilliant observations collected in this volume are not contained within a specific school of thought and are indefinable within any current fashion- rather, Belitt's frame of reference is literature itself and his essays proceed in a literary, poetic, and individual voice.

It is commonly assumed that the United States and Latin America, culturally so different, move artistically to very different rhythms. Also common is the assumption that, with rare exception, the literary figures on one side of the global North/ South divide have had little interest in the work of ...

It is commonly assumed that the United States and Latin America, culturally so different, move artistically to very different rhythms. Also common is the assumption that, with rare exception, the literary figures on one side of the global North/ South divide have had little interest in the work of their counterparts. With Mutual Impressions Ilan Stavans dispels these notions by showing how solid the bridges between writers and across borders have been -- at least since the early days of this century -- and how crucial they are likely to become as we enter the next millennium.

Divided into symmetrical halves -- South reading North and North reading South -- the book presents essays by leading novelists, poets, and other writers that focus on the work of another literary figure from across the divide. Borges, for example, finds in Hawthorne the perfect precursor to his own interest in allegories; Katherine Anne Porter examines Jose Joaquin Fernandez de Lizardi as a rascal whose picaresque views of life in The Itching Parrot served to launch the Latin American novel; Cortazar's study of the plots and style of Poe show an affinity that left an indelible mark on the Argentine's short fiction; Susan Sontag views Machado de Assis as the ultimate mirror, a proto-postmodernist.

With other essays by Thomas Pynchon, William H. Gass, John Updike, Gabriel Garcia Marquez, Alejo Carpentier, John Barth, Robert Coover, Pedro Henriquez Urena, Grace Paley, Juan Carlos Onetti, and Mark Strand, among others, Mutual Impressions offers a remarkable view of the connections that comprise a literary tradition of the Americas. It is a book that will surprise and enliven its readers as it informs and awakensin them a sense of wonder.

In this book, Epps focuses on five novels by the leading Spanish writer, Juan Goytisolo. Swinging between nihilism and utopianism, Goytisolo's writing has been characterized as incendiary, even revolutionary. Epps, drawing on a range of critical material, examines these complicated turns in ...

In this book, Epps focuses on five novels by the leading Spanish writer, Juan Goytisolo. Swinging between nihilism and utopianism, Goytisolo's writing has been characterized as incendiary, even revolutionary. Epps, drawing on a range of critical material, examines these complicated turns in Goytisolo's writing. He gives special attention to the crisis of representational language; sexual politics; terrorism and anarchy; race, religion, and nationalism; and the ties between aesthetics, ethics, and politics.