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Circles of Censorship examines the ideas and practice of censorship and of freedom of expression in post-revolutionary French literary culture. Focusing on the fate of the work of writers such as Flaubert and Sade, and on the Freudian-influenced attempts by the Surrealists and the journal Tel Quel ...

Circles of Censorship examines the ideas and practice of censorship and of freedom of expression in post-revolutionary French literary culture. Focusing on the fate of the work of writers such as Flaubert and Sade, and on the Freudian-influenced attempts by the Surrealists and the journal Tel Quel to evade censorship, Harrison presents a provocative critique of the ideas on censorship which currently dominate the discourses of human rights, psychoanalysis, and literary culture.

This stimulating one-volume history traces the social and economic evolution of France as a nation from the founding of the monarchy in 987, to the present day.Against a background of structural change, Goubert etches a vivid account of key events and personalities. His perspective is a popular one ...

This stimulating one-volume history traces the social and economic evolution of France as a nation from the founding of the monarchy in 987, to the present day.Against a background of structural change, Goubert etches a vivid account of key events and personalities. His perspective is a popular one, and his main interest is in how political events and famous people affect the nation as a whole. The book incorporates the findings and perspectives of recent monographic studies with clarity and precision, but it is Goubert's own judgements, direct, forceful and iconoclastic, which make this an invaluable text.

Writing French Algeria is a groundbreaking study of the European literary discourse on French Algeria between the conquest of 1830 and the outbreak of the Algerian War in 1954. For the first time in English, this intertextual reading reveals the debate conducted within Algeria - and between colony ...

Writing French Algeria is a groundbreaking study of the European literary discourse on French Algeria between the conquest of 1830 and the outbreak of the Algerian War in 1954. For the first time in English, this intertextual reading reveals the debate conducted within Algeria - and between colony and metropole - that aimed to forge an independent cultural identity for the European settlers. Through astute discussions of various texts, Peter Dunwoodie maps the representation of Algeria both in the dominant nineteenth-century discourse of Orientalism, via the littérature d'escale of writers such as Gautier or Fromentein, and in the colonial writing of Louis Bertrand, Robert Randau, and the `Algerianists' who played a critical role in the construction of the new `Algerian'. Dunwoodie shows how this ultimate construction relied on an extremely selective process which marginalized the indigenous people of the Maghreb in order to rediscover the country's `Latin' roots. The book also focuses on the dialogism operative in the works of École d'Alger writers like Gabriel Audisio, Albert Camus, and Emmanuel Roblès, interrogating the way in which their voices countered the closure of those earlier strategies and yet still articulated the unresolvable dilemma of an inherently unstable and impermanent minority whose identity remained grounded in otherness.