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From handshakes and toasts to chant and genuflection, ritual pervades our social interactions and religious practices. Still, few of us could identify all of our daily and festal ritual behaviors, much less explain them to an outsider. Similarly, because of the variety of activities that qualify as ...

From handshakes and toasts to chant and genuflection, ritual pervades our social interactions and religious practices. Still, few of us could identify all of our daily and festal ritual behaviors, much less explain them to an outsider. Similarly, because of the variety of activities that qualify as ritual and their many contradictory yet, in many ways, equally legitimate interpretations, ritual seems to elude any systematic historical and comparative scrutiny. In this book, Catherine Bell offers a practical introduction to ritual practice and its study; she surveys the most influential theories of religion and ritual, the major categories of ritual activity, and the key debates that have shaped our understanding of ritualism. Bell refuses to nail down ritual with any one definition or understanding. Instead, her purpose is to reveal how definitions emerge and evolve and to help us become more familiar with the interplay of tradition, exigency, and self- expression that goes into constructing this complex social medium.

A personal but also scholarly journey into the clandestine and confusing world of ritual abuse, this book provides unique insights into the catastrophic experiences of ritual abuse survivors and their efforts to find healing through psychological treatment. This revised edition provides contemporary ...

A personal but also scholarly journey into the clandestine and confusing world of ritual abuse, this book provides unique insights into the catastrophic experiences of ritual abuse survivors and their efforts to find healing through psychological treatment. This revised edition provides contemporary revelations about cults in existence today and also new therapies developed since the first edition was published in 1995. Co-authored by a clinical psychologist and the executive director of a professional organization dedicated to treating survivors of cult and ritual abuse, this edition will be of interest to both academic and professional markets.

The French performance artist Orlan has acquired both fame and infamy for her performances. A multimedia artist since the 1960s, she embarked at the beginning of the 1990s on a project of body modification through plastic surgery, the basic premise of which was to transform herself into a digitally ...

The French performance artist Orlan has acquired both fame and infamy for her performances. A multimedia artist since the 1960s, she embarked at the beginning of the 1990s on a project of body modification through plastic surgery, the basic premise of which was to transform herself into a digitally designed pastiche of the greatest icons of female beauty in Western art. Orlan's project has sparked intense debate in the visual arts, among feminists, and among those concerned with medical ethics, as it raises complex questions about sexuality, beauty, subjectivity, gender and technology. This book addresses all these issues, and focuses on the interrelations of dress, body and culture in Orlan's work since the 1960s. Surgical performances represent the most extreme phase of Orlan's artistic practice, but she has made extensive and varied use of costume throughout her career.Using the 'body theory' and theories of monstrosity developed by feminist, gender and film theorists, and the work of philosophers Luce Irigaray and Gilles Deleuze, the author examines the challenges Orlan's performance art poses to its viewers. Anyone working in the fields of gender, the visual arts or cultural studies will find this book and the questions it raises provocative and enlightening.