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Max Steiner's contribution to the formulation of early Hollywood scoring techniques is significant, particularly through his music for King Kong (1933) and The Informer (1935). The Academy Award winning score for Now, Voyager reflects the maturation of the composer's understanding of the dramatic ...

Max Steiner's contribution to the formulation of early Hollywood scoring techniques is significant, particularly through his music for King Kong (1933) and The Informer (1935). The Academy Award winning score for Now, Voyager reflects the maturation of the composer's understanding of the dramatic function of music in film. The primary resources incorporated in the analysis include, from the Max Steiner collection at Brigham Young University, Steiner's letters and scrapbooks and his unpublished autobiography Notes to You. In addition to contributing to the composer's own perspective on the music for this film and on scoring practice in general, these papers contribute to a broader debate about how films are interpreted and the part music plays in these schemes of criticism. This study of the film score occurs within the broader theoretical and historical debates currently characterizing film musicology and explores, from varied perspectives, how the score is meaningful and important to the film.

Czech fiction in the twentieth century has been deeply implicated in the nation's political life, and often serves as a conduit for its authors' social ideas. Through a series of brilliant and powerful readings of major Czech texts in both literature and history, Peter Steiner challenges the view ...

Czech fiction in the twentieth century has been deeply implicated in the nation's political life, and often serves as a conduit for its authors' social ideas. Through a series of brilliant and powerful readings of major Czech texts in both literature and history, Peter Steiner challenges the view that literary works can be treated as aesthetically autonomous products distinct from historical events. Instead, in a book distinguished by its broad theoretical sweep and attention to telling detail, he gives evidence again and again of the ineluctable bond between literature and politics.

Steiner engages six central works ranging from novels to government documents; all, in his view, purvey ideological fictions that exerted significant social influence after they appeared. He begins with Jaroslav Hasek's 1920s novel The Good Soldier Svejk, whose antiauthoritarian protagonist was widely emulated during the Nazi and communist regimes, and ends with Vaclav Havel's play The Beggar's Opera, through whichSteiner explores the social role of Czech writing in the 1970s. He also considers Reportage, by Julius Fucik, which announces itself as a documentary of the Communist party's heroic struggle against the Germans, but is, for Steiner, a fiction arising out of Marxist-Leninist ideology; Karel Capek's Apocryphal Stories; Milan Kundera's novel The Joke; and the 1952 show trial of Rudolf Slansky, the General Secretary of the Communist Party.

How do creative people think? Do great works of the imagination originate in words or in images? Is there a rational explanation for the sudden appearance of geniuses like Mozart or Einstein? Such questions have fascinated people for centuries; only in recent years, however, has cognitive psychology ...

How do creative people think? Do great works of the imagination originate in words or in images? Is there a rational explanation for the sudden appearance of geniuses like Mozart or Einstein? Such questions have fascinated people for centuries; only in recent years, however, has cognitive psychology been able to provide some clues to the mysterious process of creativity. In this revised edition of Notebooks of the Mind, Vera John-Steiner combines imaginative insight with scientific precision to produce a startling account of the human mind working at its highest potential. To approach her subject John-Steiner goes directly to the source, assembling the thoughts of "experienced thinkers"--artists, philosophers, writers, and scientists able to reflect on their own imaginative patterns. More than fifty interviews (with figures ranging from Jessica Mitford to Aaron Copland), along with excerpts from the diaries, letters, and autobiographies of such gifted giants as Leo Tolstoy, Marie Curie, and Diego Rivera, among others, provide illuminating insights into creative activity. We read, for example, of Darwin's preoccupation with the image of nature as a branched tree while working on his concept of evolution. Mozart testifies to the vital influence on his mature art of the wondrous "bag of memories" he retained from childhood. Anais Nin describes her sense of words as oppressive, explaining how imagistic free association freed her as a writer. Adding these personal accounts to laboratory studies of thought process, John-Steiner takes a refreshingly holistic approach to the question of creativity. What emerges is an intriguing demonstration of how specific sociocultural circumstances interact with certain personality traits to encourage the creative mind. Among the topics examined here are the importance of childhood mentor figures; the lengthy apprenticeship of the talented person; and the development of self- expression through highly individualistic languages, whether in images, movement or inner speech. Now, with a new introduction, this award-winning book provides an uniquely broad-based study of the origins, development and fruits of human inspiration.