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This book is the first major and exclusive study of the Christian idea of salvation as seen through the eyes of five sixteenth-century English reformers--John Frith, John Hooper, Robert Barnes, John Bradford, and the famous Bible translator, William Tyndale. The author sets their views in context ...

This book is the first major and exclusive study of the Christian idea of salvation as seen through the eyes of five sixteenth-century English reformers--John Frith, John Hooper, Robert Barnes, John Bradford, and the famous Bible translator, William Tyndale. The author sets their views in context, both historically and intellectually, before engaging in a detailed and clear examination of all the relevant aspects of their thought, from election and justification to the relationship between sacraments and salvation.

"Pamela Walker's treatment of the Salvation Army restores religious and social complexity to a group too easily misunderstood in the twenty-first century. Drawing us into a vivid, vibrant world of Victorian experience, Walker proves that the significance of the movement extended far beyond the ...

"Pamela Walker's treatment of the Salvation Army restores religious and social complexity to a group too easily misunderstood in the twenty-first century. Drawing us into a vivid, vibrant world of Victorian experience, Walker proves that the significance of the movement extended far beyond the demonstrations that became a familiar part of London street life."--Deborah Valenze, author of "The First Industrial Woman"

"A major contribution to our understanding of Victorian society, [this book] will undoubtedly become the key work on the origins of the Salvation Army, a major reference not just among historians of religion, but also among urban historians, gender historians, and historians of popular culture. . . . Perhaps the outstanding feature of the book is the author's ability to interweave a highly nuanced account of the development and theological orientation of the Salvation Army, and a fresh appraisal of its central figures, with a broader understanding of Victorian society, culture, and politics."--Andrew Davies, author of "Leisure, Gender, and Poverty"

"Deeply researched and vividly written, this book offers an innovative and consistently thought-provoking interpretation of the Salvation Army's origins and early history. Three aspects of the book are especially interesting. First, the discussion of conversion, including its physical manifestations, is powerful and convincing. Second, the theme of gender runs through the book. As well as presenting a striking portrait of the Hallelujah Lasses, Walker shows how the Salvationists challenged conventional notions both of femininity and of masculinity. Third, her discussion of Salvationist propaganda and its ambivalent relation tothe urban working class milieu is consistently illuminating. She shows how the Army drew on certain aspects of popular culture in order to subvert other aspects."--Hugh McLeod, author of "Secularisation in Western Europe 184

So strongly associated is the Salvation Army with its modern mission of service that its colorful history as a religious movement is often overlooked. In telling the story of the organization in America, Lillian Taiz traces its evolution from a working-class, evangelical religion to a movement that ...

So strongly associated is the Salvation Army with its modern mission of service that its colorful history as a religious movement is often overlooked. In telling the story of the organization in America, Lillian Taiz traces its evolution from a working-class, evangelical religion to a movement that emphasized service as the path to salvation.

When the Salvation Army crossed the Atlantic from Britain in 1879, it immediately began to adapt its religious culture to its new American setting. The group found its constituency among young, working-class men and women who were attracted to its intensely experiential religious culture, which combined a frontier-camp-meeting style with working-class forms of popular culture modeled on the saloon and theater. In the hands of these new recruits, the Salvation Army developed a remarkably democratic internal culture. By the turn of the century, though, as the Army increasingly attempted to attract souls by addressing the physical needs of the masses, the group began to turn away from boisterous religious expression toward a more "refined" religious culture and a more centrally controlled bureaucratic structure.

Placing her focus on the membership of the Salvation Army and its transformation as an organization within the broader context of literature on class, labor, and women's history, Taiz sheds new light on the character of American working-class culture and religion in the late nineteenth and early twentieth centuries.