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"A smart, insightful, readable book. Boyd expertly outlines the political, economic, and legal contours of San Francisco's queer history. With a rich array of sources, she reconstructs the nightclubs and bars where customers, workers, and owners fought for the right to public assembly and helped ...

"A smart, insightful, readable book. Boyd expertly outlines the political, economic, and legal contours of San Francisco's queer history. With a rich array of sources, she reconstructs the nightclubs and bars where customers, workers, and owners fought for the right to public assembly and helped inaugurate a movement for gay and lesbian civil rights."--Joanne Meyerowitz, author of "How Sex Changed: A History of Transsexuality in the United States

"An outstanding book, a major contribution to U.S. gay, lesbian, and queer history. Nan Boyd has produced a fascinating account that helps us to understand why and how San Francisco has come to occupy such pride of place in the queer imagination. Traversing the complicated geography, the multiple gender and sexual cultures, and the multi-layered politics of a great metropolis, Wide-Open Town is a must-read for historians, students and scholars of sex, gender, and sexuality, and all those who have ever left their hearts in San Francisco."--Marc Stein, author of "City of Sisterly and Brotherly Loves: Lesbian and Gay Philadelphia, 1945-1972

"Boyd spins out a fascinating story of a unique community and in the process informs our understanding of the development of gay/lesbian communities and activism in places beyond San Francisco. She does this by showing the links between and relationship of cultural resistance and various forms of political organizing, and by rethinking the ways that major events in U.S. history, such as Prohibition and the Second World War, have shaped gay/lesbian history."--Leila J. Rupp, author of "A Desired Past

"Nan Boyd has excavated a queer pre-history of gay liberation movements in San Francisco. By highlightingsex and race tourism as well as the centrality of gender transgression to the creation of gay communities, she sheds new light on the formation of sexual identities in the twentieth century. Both insightful and highly readable

This important collection of essays on the writers who have made Los Angeles one of the great cities of twentieth-century literature has been strengthened by the inclusion of three new essays. John Fante, Walter Mosley, and Chester Himes join such writers as Aldous Huxley, F. Scott Fitzgerald ...

This important collection of essays on the writers who have made Los Angeles one of the great cities of twentieth-century literature has been strengthened by the inclusion of three new essays. John Fante, Walter Mosley, and Chester Himes join such writers as Aldous Huxley, F. Scott Fitzgerald, Evelyn Waugh, Nathanael West, Norman Mailer, James M. Cain, Ross Macdonald, Raymond Chandler, Budd Schulberg, Joan Didion, John Gregory Dunne, and Thomas Pynchon as well as less familiar writers such as Oscar Zeta Acosta, Horace McCoy, Thomas Sanchez, Marc Norman, and Hysaye Yamamoto in a text that provides a basic literary history of the region. Essays examine such special Los Angeles genres as the detective story and the Hollywood novel, and a chapter is devoted to the film Chinatown.

As the AIDS crisis reaches new heights globally with no cure in the immediate future, the time is ripe to step back and examine the roots of this epidemic. In When AIDS Began , Michelle Cochrane constructs the making of this disease and dispels many of the misconceptions that surround it. By ...

As the AIDS crisis reaches new heights globally with no cure in the immediate future, the time is ripe to step back and examine the roots of this epidemic. In When AIDS Began , Michelle Cochrane constructs the making of this disease and dispels many of the misconceptions that surround it. By examining the early outbreaks in San Francisco, Cochrane unfolds the "creation" of AIDS in one geographic location and then traces how and why major claims about the transmission of HIV were made, extrapolated and then disseminated to the rest of the world - all important factors in understanding this disease.

"In his graceful integration of insights and literature from the disparate fields of art history, history, and ethnic studies, and with his focus on a little known body of visual images and image-makers, Lee has written a book that promises to make a significant contribution in terms of both subject ...

"In his graceful integration of insights and literature from the disparate fields of art history, history, and ethnic studies, and with his focus on a little known body of visual images and image-makers, Lee has written a book that promises to make a significant contribution in terms of both subject and methodology. The residents of his Chinatown are not merely subjects of an orientalizing gaze, they are themselves producers of images, shapers of the neighborhood's distinctive physical appearance, followers of both American and Chinese political and cultural developments. . . . [This] book asserts the possibilities of images as sources of cultural meaning and reinserts art history into a central position in American cultural studies."--Martha A. Sandweiss, Professor of American Studies and History, Amherst College

"The author invites the reader to understand the paintings and photographs he is examining. . . as sites of human enactment where Chinese and non-Chinese alike participate in acts ofcultural encounter." --Rodger C. Birt, Professor of Humanities and American Studies, San Francisco State University