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Nathalie Sarraute, initially hailed as a leading theorist and exemplar of the nouveau roman, is now regarded as a major French novelist in her own right. Ann Jefferson offers a new perspective on Sarraute's entire oeuvre--her fiction, her outstanding autobiography Enfance and her influential ...

Nathalie Sarraute, initially hailed as a leading theorist and exemplar of the nouveau roman, is now regarded as a major French novelist in her own right. Ann Jefferson offers a new perspective on Sarraute's entire oeuvre--her fiction, her outstanding autobiography Enfance and her influential critical writings--by focusing on the crucial issue of difference that emerges as one of her central preoccupations. Jefferson explores Sarraute's fundamental ambivalence to differences of various kinds, including questions of gender and genre.

Spanning seven decades, Nathalie Sarraute's literary career has established her as one of the most prominent and highly respected French writers of the twentieth century. From the outset she has sought, through consistent formal innovation, to develop a mode of literary expression adequate to an ...

Spanning seven decades, Nathalie Sarraute's literary career has established her as one of the most prominent and highly respected French writers of the twentieth century. From the outset she has sought, through consistent formal innovation, to develop a mode of literary expression adequate to an endlessly mobile and mutable self stifled as much in public discourse as in traditional fictional characterization. Central to that enterprise is the dream of full and transparent communication with another, and ultimately with an ideal reader. This study is the first to explore in detail the interaction between the increasing move towards dialogue in Sarraute's prose works (Tu ne t'aimes pas is an extreme example), and the dialogue those works initiate with their readers. Intensely aware of the pitfalls of communication, both spoken and written, Sarraute's prose writings illuminate not only the dynamics of conversation, but also those of the reading process.

The award-winning novels of Annie Ernaux are controversial, innovative, and address the topical issues of gender and social class. Surprisingly, there has been no major study of her work, despite the fact that it is increasingly taught and has been widely translated. This book fills that gap by ...

The award-winning novels of Annie Ernaux are controversial, innovative, and address the topical issues of gender and social class. Surprisingly, there has been no major study of her work, despite the fact that it is increasingly taught and has been widely translated. This book fills that gap by presenting Ernaux's work through a range of readings: those of the author herself, those of academics, of reviewers and of 'ordinary' readers. Ernaux's own curiosity about the relationship between writing and the reality she is describing leads her to adopt a self-reflective approach to the narration of her life experience. This stimulating introduction to her work reflects both on the relationship between writing and identity in general terms, and specifically on the process of writing literary criticism. In the final chapter the impersonal register of academic writing is extended by a more personal dialogue with Ernaux's texts. What emerges is a new critical method that explores the multiple relationships between readers and texts.The first work in English on Annie Ernaux, this book goes far beyond traditional analyses to address the fundamental question of critical writing and to present a new methodology for the study of literary texts. It is thus essential reading for those interested in French literature, critical theory, gender and cultural studies.

Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the 20th century. Each of the 34 ...

Reflecting the salient undercurrents of contemporary researh on women writers, this volume is an appraisal of the work of the writer as woman and presents critics' perceptions about how women writers have dealt with the complexity of changing female visions in the 20th century. Each of the 34 essays, contributed by some of today's most distinguished writers, speaks to the work of a particular 20th-century woman writer, and each constitutes a contribution to the scholarly debate.