Your search for: sense AND sensibility AND analysis

Crime is an American preoccupation. Campaigns such as "the war on drugs," zero tolerance policing, and three strikes and you're out--not to mention the ever-shrill coverage of crime stories-all suggest a perpetually outraged nation determined to keep its criminal element at bay, no matter the cost ...

Crime is an American preoccupation. Campaigns such as "the war on drugs," zero tolerance policing, and three strikes and you're out--not to mention the ever-shrill coverage of crime stories-all suggest a perpetually outraged nation determined to keep its criminal element at bay, no matter the cost. But is this really what average Americans think about crime and crime control measures? Or is the "no holds barred" approach merely another oscillation in an ongoing cycle of intolerance and tolerance in American thinking? Have prevailing but short-lived sensibilities on crime overruled our common sense? In this wide-ranging analysis, Michael Tonry argues that those responsible for crafting America's criminal justice policy have lost their way in a forest of good intentions, political cynicism, and public anxieties. American crime control politics over time have created a punishment system no one would knowingly have chosen yet one that no one seems able to change. Fueled by knee-jerk rhetoric and moral panics, the current crime control regime is founded on short-term thinking and the personal ambitions of politicians terrified of appearing "soft on crime," rather than on policies that work. Tonry demonstrates that attitudes toward crime in America are cyclical. Prevailing sensibilities rather than timeless truths govern the American war on crime, resulting in policies both wasteful and harsh. U.S. crime trends closely resemble those of other nations, yet American policies are very different. The evolution of the war on drugs is an example; sentencing grew steadily harsher long after the drug problem itself eased. Seamlessly blending history with an easy presentation of day-to-day realities and empirical evidence, Tonry proposes tangible, specific solutions that can serve as a platform for criminal justice reform. A spirited manifesto rooted in a lifetime of crime expertise, Tonry's book calls on politician and policymakers to choose the right path, not the easy or politically expedient one. We know how to create an effective and humane criminal justice system. Now we must have the courage to do so, by abandoning the current status quo, which is both costly and cruel in favor of practices that will move America closer to the mainstream of contemporary Western values.

Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder. Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the ...

Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder. Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directing the book towards students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, analyzing, and performing again, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the volume features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end-of-chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song.