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After Homicide describes the collective responses of bereaved people to the aftermath of violent death, a subject not dealt with in any detail in the literature that is currently available. The book concentrates particularly on the birth, development and organization of the self help and campaigning ...

After Homicide describes the collective responses of bereaved people to the aftermath of violent death, a subject not dealt with in any detail in the literature that is currently available. The book concentrates particularly on the birth, development and organization of the self help and campaigning groups that emerged in the last decade. The author examines these as attempts to give institutional expression to interpretations of grief, and shows us that these attemps, in their turn, are implicated in a potent phenomenology of mourning. In addition, the author had special access to a number of groups and uses the infomation that he gathered through this access to discuss the practical and political importance of the work of these groups, and their affects on policing, the media and the law.

Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s.

The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest ...

Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s.

The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest manifestation of the multiple murderers and homicidal maniacs that haunt American literature and, particularly, visual media such as cinema and television. Simpson theorizes that the serial killer genre results from a combination of earlier genre depictions of multiple murderers, inherited Gothic storytelling conventions, and threatening folkloric figures reworked over the years into a contemporary mythology of violence. Updated and repackaged for mass consumption, the Gothic villains, the monsters, the vampires, and the werewolves of the past have evolved into the fictional serial killer, who clearly reflects American cultural anxieties at the start of the twenty-first century.

Citing numerous sources, Simpson argues that serial killers' recent popularity as genre monsters owes much to their pliability to any number of authorial ideological agendas from both the left and the right ends of the political spectrum. Serial killers in fiction are a kind of debased and traumatized visionaries, whose murders privately and publicly reempower them with a pseudo-divine aura in the contemporary political moment. The current fascination with serial killer narratives can thus be explained as the latest manifestation of the ongoing human fascination with tales of gruesome murders and mythic villains finding a receptive audience in a nation galvanized by the increasingly apocalyptic tension between theextremist philosophies of both the New Right and the anti-New Right.

Faced with a blizzard of works of varying quality dealing with the serial killer, Simpson has ruled out the catalog approach in this study in favor of an in-d

While print and broadcast media are filled every day with homicide accounts, the general public seems most disturbed by crimes attributed to individuals who otherwise seem "normal." Murders by those perceived to be historically non-violent often appear to erupt with no warning whatsoever. Moffatt ...

While print and broadcast media are filled every day with homicide accounts, the general public seems most disturbed by crimes attributed to individuals who otherwise seem "normal." Murders by those perceived to be historically non-violent often appear to erupt with no warning whatsoever. Moffatt argues that certain key predictors of a predisposition to violence are usually present. Citing case studies of workplace, school, and domestic homicides, he debunks the myth that these murders happen "out of the blue." He also includes valuable information on predicting and preventing future tragedies.