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While the short, lethal careers of serial killers such as Jeffrey Dahmer and Andrew Cunanan terrorize the public and provide morbid inspiration for the entertainment industry, few people realize that it is the female serial killer, seldom heard of, who deserves most to be feared. Murder Most Rare ...

While the short, lethal careers of serial killers such as Jeffrey Dahmer and Andrew Cunanan terrorize the public and provide morbid inspiration for the entertainment industry, few people realize that it is the female serial killer, seldom heard of, who deserves most to be feared. Murder Most Rare provides startling information about the female serial murderer, who is shown to be far more deadly and determined, difficult to apprehend, and complexly motivated than her male counterpart. While serial murder by women is relatively rare, a surprising number of female serial killers are identified by the authors, nearly 100 in this century, with half of them having committed their crimes in America. By examining these women's backgrounds, motives and methods of killing, the book sheds new light on dozens of overlooked cases of murder and uncovers callous crimes and passions gone awry.

In this book, criminologist Stephen Giannangelo offers an original theory of the origins and development of the serial murderer. The author constructs a two-part model of the serial murderer's development. The first part outlines biological factors and concomitant psychological anomalies that can ...

In this book, criminologist Stephen Giannangelo offers an original theory of the origins and development of the serial murderer. The author constructs a two-part model of the serial murderer's development. The first part outlines biological factors and concomitant psychological anomalies that can predispose individuals toward homicidal behavior. Then, in developing the second part of his model, Giannangelo describes how a traumatic environmental stressor may trigger a cyclical pattern of violent behavior in those persons predisposed to kill. Having constructed his archetype of the serial killer, the author concludes by suggesting how diagnostic tools could be constructed and employed by psychologists, criminologists, and law enforcement officials to recognize the serial killer and to arrest the cycle of violence.

Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s.

The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest ...

Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s.

The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest manifestation of the multiple murderers and homicidal maniacs that haunt American literature and, particularly, visual media such as cinema and television. Simpson theorizes that the serial killer genre results from a combination of earlier genre depictions of multiple murderers, inherited Gothic storytelling conventions, and threatening folkloric figures reworked over the years into a contemporary mythology of violence. Updated and repackaged for mass consumption, the Gothic villains, the monsters, the vampires, and the werewolves of the past have evolved into the fictional serial killer, who clearly reflects American cultural anxieties at the start of the twenty-first century.

Citing numerous sources, Simpson argues that serial killers' recent popularity as genre monsters owes much to their pliability to any number of authorial ideological agendas from both the left and the right ends of the political spectrum. Serial killers in fiction are a kind of debased and traumatized visionaries, whose murders privately and publicly reempower them with a pseudo-divine aura in the contemporary political moment. The current fascination with serial killer narratives can thus be explained as the latest manifestation of the ongoing human fascination with tales of gruesome murders and mythic villains finding a receptive audience in a nation galvanized by the increasingly apocalyptic tension between theextremist philosophies of both the New Right and the anti-New Right.

Faced with a blizzard of works of varying quality dealing with the serial killer, Simpson has ruled out the catalog approach in this study in favor of an in-d