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Using the documents assembled by the World Centre for Jewish Music in Palestine (WCJMP) during the five years of its activities in the late 1930s, this volume examines the history of European Jewish music on the eve of its destruction. The many voices of the musicians and intellectuals forced to ...

Using the documents assembled by the World Centre for Jewish Music in Palestine (WCJMP) during the five years of its activities in the late 1930s, this volume examines the history of European Jewish music on the eve of its destruction. The many voices of the musicians and intellectuals forced to flee from the growing spectre of Nazism speak in this book about the transformation of the Jewish communities of Europe, the difficulties faced before and during exile, and the growing human and cultural tragedy faced by European Jewish culture. Bohlman has translated selected documents from the correspondence and publications of the World Centre for Jewish Music, introduced their unique and compelling themes, and provided commentaries on all documents and their authors.

"["Western Music and Its Others] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The ...

"["Western Music and Its Others] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The studies within it are polemical and timely and of lasting scholarly value."--Will Straw, co-editor of "Theory Rules: Art as Theory/ Theory and Art

"The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and clarity. But it also lies in the authors' resistance to the easy 'postmodernist' answers that threaten to turn new musicology prematurely grey. The editors' comprehensive, intellectually adventurous introduction exemplifies the sort of eager yet properly skeptical receptivity to scholarly innovation that fosters lasting disciplinary reform. It alone is worth the price of the book." --Richard Taruskin, author of "Stravinsky and the Russian Traditions: A Biography of the Works Through" Mavra"

"When cultural-studies methods first appeared in musicology 15 years ago, they triggered a storm of polemics that sometimes overshadowed the important issues being raised. As the canon wars recede, however, scholars are finding it possible to focus on the concerns that led them to cultural criticism in the first place: the study of music and its political meanings. "Western Music and Its Others brings together leading musicologists, ethnomusicologists, and specialists in film and popular music to explore the ways European and North American musicians have drawn on or identified themselves intension with the musical practices of Others. In a series of essays ranging from examination of the Orientalist tropes of early 20th-century Modernists to the tangled claims for ownership in today's World Music, the authors i

Music historian Irene Heskes takes a topical and chronological approach to present an exhaustive examination of the history, form and meaning of Jewish musical traditions. Chapters include: Documenting the Heritage; Bible, Liturgy, and Cantorial Art; The Musical Heritage of Sephardic and Oriental ...

Music historian Irene Heskes takes a topical and chronological approach to present an exhaustive examination of the history, form and meaning of Jewish musical traditions. Chapters include: Documenting the Heritage; Bible, Liturgy, and Cantorial Art; The Musical Heritage of Sephardic and Oriental Jewry; Music of Mysticism and Piety; The Yiddish Musical World of Eastern Europe; The Holocaust Era; America; The Music of Zion and Israel; Composers and Compositions; and Women.