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New Media and American Politics is the first examination of the effect on modern politics of the new media, which include talk radio, tabloid journalism, television talk shows, entertainment media, and computer networks. Davis and Owen discuss the new media's cultural environment, audience, and ...

New Media and American Politics is the first examination of the effect on modern politics of the new media, which include talk radio, tabloid journalism, television talk shows, entertainment media, and computer networks. Davis and Owen discuss the new media's cultural environment, audience, and content, and evaluate its impact on everything from elections to policy making to the old media itself.

The events of September 11 continue to resonate in powerful, yet sometimes unexpected ways. For many journalists, the crisis has decisively recast their sense of the world around them. Familiar notions of what it means to be a journalist, how best to practice journalism, and what the public can ...

The events of September 11 continue to resonate in powerful, yet sometimes unexpected ways. For many journalists, the crisis has decisively recast their sense of the world around them. Familiar notions of what it means to be a journalist, how best to practice journalism, and what the public can reasonably expect of journalists in the name of democracy, have been shaken to their foundations. Journalism After September 11 examines how the traumatic attacks of that day continue to transform the nature of journalism, particularly in the United States and Britain. It brings together an internationally respected group of scholars and media commentators to explore journalism's present and future, by engaging with such pressing issues as trauma, free speech, censorship, patriotism, impartiality, and celebrity. Journalism After September 11 raises vitally important questions regarding what journalism can and should look like today. In providing answers it addresses topics such as: journalism and public life at a time of crisis; broadsheet and tabloid newspaper coverage of the attacks; the role of sources in shaping the news; reporting by global news media such as CNN; Western representations of Islam; current affairs broadcasting; news photography and trauma; the emotional well-being of reporters; online journalism; as well as a lots of pertinent issues around news, democracy and citizenship.

Addressing the controversial issues of the blurring boundaries between news and entertainment and the movement toward sensationalism in broadcast journalism, this study examines these distinctions: how boundaries are constructed and by whom; how they are enforced or broken and why. Rather than ...

Addressing the controversial issues of the blurring boundaries between news and entertainment and the movement toward sensationalism in broadcast journalism, this study examines these distinctions: how boundaries are constructed and by whom; how they are enforced or broken and why. Rather than reflecting essential attributes by which news can be distinguished from other kinds of communication, "boundary setting" is viewed as a social construction, determined and changed by journalists wishing to assert their jurisdiction and authority and the prestige of the profession. Four instances of "boundary-work rhetoric" are examined in depth: (1) the development of roles and "rules" of television journalism during the early years of television; (2) attempts at Congressional and FTC regulation--broadcasting codes defining "bona fide" news; (3) responses to a 1992 journalistic scandal over a "Dateline NBC" story on exploding GM pickup trucks, and (4) reporting sex scandals during recent political campaigns, such as the allegations of Gennifer Flowers of her involvement with Bill Clinton. In these and other cases, journalists developed strategies to minimize harm to the profession.