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The events of September 11 continue to resonate in powerful, yet sometimes unexpected ways. For many journalists, the crisis has decisively recast their sense of the world around them. Familiar notions of what it means to be a journalist, how best to practice journalism, and what the public can ...

The events of September 11 continue to resonate in powerful, yet sometimes unexpected ways. For many journalists, the crisis has decisively recast their sense of the world around them. Familiar notions of what it means to be a journalist, how best to practice journalism, and what the public can reasonably expect of journalists in the name of democracy, have been shaken to their foundations. Journalism After September 11 examines how the traumatic attacks of that day continue to transform the nature of journalism, particularly in the United States and Britain. It brings together an internationally respected group of scholars and media commentators to explore journalism's present and future, by engaging with such pressing issues as trauma, free speech, censorship, patriotism, impartiality, and celebrity. Journalism After September 11 raises vitally important questions regarding what journalism can and should look like today. In providing answers it addresses topics such as: journalism and public life at a time of crisis; broadsheet and tabloid newspaper coverage of the attacks; the role of sources in shaping the news; reporting by global news media such as CNN; Western representations of Islam; current affairs broadcasting; news photography and trauma; the emotional well-being of reporters; online journalism; as well as a lots of pertinent issues around news, democracy and citizenship.

The terrorist attacks of September 11, 2001, are difficult to refer to in the past tense. The events of that date changed the United States and the entire world to the point that the pre-9/11 period and post-9/11 epoch now have to be understood by completely different parameters. Its editors ...

The terrorist attacks of September 11, 2001, are difficult to refer to in the past tense. The events of that date changed the United States and the entire world to the point that the pre-9/11 period and post-9/11 epoch now have to be understood by completely different parameters. Its editors conceived this book only a few hours after the World Trade Towers had collapsed. It frames 9/11 in terms of fresh insights and new interpretations that will last beyond its immediate timeframe.

The terrorist attacks of September 11, 2001, brought the effects of trauma home to millions in America and throughout the world. Initially, the attacks created a sense of paralysis and a narrative void. Now we find ourselves struggling as a nation to remember and rebuild. The distinguished writers ...

The terrorist attacks of September 11, 2001, brought the effects of trauma home to millions in America and throughout the world. Initially, the attacks created a sense of paralysis and a narrative void. Now we find ourselves struggling as a nation to remember and rebuild. The distinguished writers in Trauma at Home confront September 11 from a variety of personal, cultural, scholarly, and clinical perspectives. Bringing together their wide-ranging reflections on understanding, representing, and surviving trauma, the book offers readers an array of analyses of the overwhelming events. Through the lenses of cultural studies, trauma studies, feminism, film and literary criticism, psychoanalytic theory, and through poetic and photographic images, the contributors use their disciplines to help make sense of the incomprehensible.

These essays and reflections address loss and examine our changed modes of perception, relations with others, and sense of home. Trauma at Home contains meditations on the personal and,cultural aftereffects of trauma and provides analyses of the historical echoes of Hiroshima, the Holocaust, and Vietnam that the attacks evoked. Collectively, these essays replace the silence of shock and disbelief with the possibility of dialogue-even as they also recognize the impossibility of providing a single cohesive narrative for the trauma of September 11.