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Tesserae, the small individual pieces of glass or stone that make up a mosaic, is an apt title for this series of memoirs by Denise Levertov. Rather than being a completed autobiography, these collected memoirs are, for the author, fragments of an unfinished mosaic. Each of the twenty-seven pieces ...

Tesserae, the small individual pieces of glass or stone that make up a mosaic, is an apt title for this series of memoirs by Denise Levertov. Rather than being a completed autobiography, these collected memoirs are, for the author, fragments of an unfinished mosaic. Each of the twenty-seven pieces of Tesserae explores a memory vital to Levertov's life; each is complete in itself and set here chronologically. And, as in any good mosaic, each piece reflects at different angles creating a play of light which gives this self-portrait its living complexity.

The Letters of Denise Levertov and William Carlos Williams is the most engaging and lively of literary correspondences - at once a portrait of two geniuses, the testimony of their remarkable friendship, and a seedbed of ideas about American poetry. With a 1951 fan letter, the young British poet ...

The Letters of Denise Levertov and William Carlos Williams is the most engaging and lively of literary correspondences - at once a portrait of two geniuses, the testimony of their remarkable friendship, and a seedbed of ideas about American poetry. With a 1951 fan letter, the young British poet introduced herself to Williams, and by 1959, Williams is congratulating Levertov on her growth. The letters also chronicle their search (individually and together) for a set of formal poetic principles, a search which culminated for Levertov in 1965, when she coined the term "organic form". The warmth, the directness, the flavorsome individuality of the letters - 34 from Levertov and 42 from Williams - increased with their growing intimacy and mutual regard. Always intriguing, their independent-minded letters, which end with the elder poet's death in 1962, have great piquancy and charm. Denise Levertov herself initiated this project, and was then, in the year before her death, "fascinated to read the exchange". This edition also includes the correspondence between Levertov and Williams's widow Florence. Professor Christopher MacGowan, the noted Williams scholar, contributes a superb introduction and informative annotations throughout.

This volume deals with the history, topography and monuments of Constantinople, the capital of the Byzantine Empire and one of the greatest urban centers ever known, throughout Late Antiquity and the Middle Ages. It contains 21 papers that emanate from an international workshop which was held at ...

This volume deals with the history, topography and monuments of Constantinople, the capital of the Byzantine Empire and one of the greatest urban centers ever known, throughout Late Antiquity and the Middle Ages. It contains 21 papers that emanate from an international workshop which was held at Istanbul in 1999.
Divided into eight sections, the collection addresses a variety of interconnected topics, ranging from topography to ritual and ideology, archaeology, religious and secular architecture, patronage, commercial life, social organization, women's roles, communities, urban development and planning.
Partly drawing on new archaeological and textual evidence, partly directing new questions to or reinterpreting previously available sources, the papers presented here fill important gaps in our knowledge of Constantinople and enhance our conception of the city as both a physical and social entity.