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What makes wars drag on and why do they end when they do? Here H. E. Goemans brings theoretical rigor and empirical depth to a long-standing question of securities studies. He explores how various government leaders assess the cost of war in terms of domestic politics and their own postwar fates ...

What makes wars drag on and why do they end when they do? Here H. E. Goemans brings theoretical rigor and empirical depth to a long-standing question of securities studies. He explores how various government leaders assess the cost of war in terms of domestic politics and their own postwar fates. Goemans first develops the argument that two sides will wage war until both gain sufficient knowledge of the other's strengths and weaknesses so as to agree on the probable outcome of continued war. Yet the incentives that motivate leaders to then terminate war, Goemans maintains, can vary greatly depending on the type of government they represent. The author looks at democracies, dictatorships, and mixed regimes and compares the willingness among leaders to back out of wars or risk the costs of continued warfare.

Democracies, according to Goemans, will prefer to withdraw quickly from a war they are not winning in order to appease the populace. Autocracies will do likewise so as not to be overthrownby their internal enemies. Mixed regimes, which are made up of several competing groups and which exclude a substantial proportion of the people

This book recounts the World War II journeys of a soldier, a ship, and a bottle of spirits through, and around, five great turning-point battles. Those battles were influenced more by geography and climate than by generals and admirals. Properly titled they would be known as the Battles of the Sky ...

This book recounts the World War II journeys of a soldier, a ship, and a bottle of spirits through, and around, five great turning-point battles. Those battles were influenced more by geography and climate than by generals and admirals. Properly titled they would be known as the Battles of the Sky (Britain), the Sand (El Alemein), the Snow (Stalingrad), the Sea (North Atlantic), and the Shore (Normandy). Slogging their way through this quintet are an eighteen-year-old G.I. from Missouri (as seen through his letters home), an "ugly duckling" of a Liberty ship (as seen through its Armed Guard reports), and a bottle of rum (as traced by those who, after the war, made money in selling war souvenirs). It is the history of the North Atlantic sea basin and its extensions at war: the story of the lulls between battles, when America's teenage warriors often watched war movies (Humphrey Bogart made and Warner Brothers released seven during the war), sang or listened to popular tunes by songsmiths like Irving Berlin, and drank rum-and-Coke (while listening to Dick Haymes sing the hit "Rum & Coca-Cola"). While accessible and vastly entertaining, this is a serious work of history. By treating World War II in Europe much as Fernand Braudel treated the origins of Western civilization in his masterpiece The Mediterranean and the Mediterranean World in the Age of Philip II, Hatcher brings Braudelian detachment to his narrative.

This book is a collection of nine essays examining the impact of World War II on the American people. The contributions range from "macro" studies (the ways corporations sought to recruit women into the work force) to "micro" studies (the impact of the war on working conditions in Indiana) to ...

This book is a collection of nine essays examining the impact of World War II on the American people. The contributions range from "macro" studies (the ways corporations sought to recruit women into the work force) to "micro" studies (the impact of the war on working conditions in Indiana) to biography (the Congressional career of Margaret Chase Smith). Focusing as it does on the domestic scene, this study offers a comprehensive selection of the impact of the war on Americans, and the way it influenced concepts of gender, race, class, and ethnicity.