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God, Man, and Devil is an anthology of five Yiddish plays in translation, plus two additional independent scenes, all written by well-known playwrights in the first quarter of the twentieth century.

The settings range widely -- a luxurious parlor, a haunted graveyard, a farmyard, a sweatshop on ...

God, Man, and Devil is an anthology of five Yiddish plays in translation, plus two additional independent scenes, all written by well-known playwrights in the first quarter of the twentieth century.

The settings range widely -- a luxurious parlor, a haunted graveyard, a farmyard, a sweatshop on strike, a subway, and the boardwalk of Atlantic City. The plays evoke tears and laughter through melodrama, expressionism, satire, fantasy, farce, suspense, and romance. But all consider the same question: what is life's moral purpose? And all display theatrical flair that made Yiddish audiences such passionate fans of their dramas and their stars.

Translated and edited to make them more accessible for both reading and performance, the plays are accompanied by prefaces and notes to help students of theater and of Jewish culture by providing historical context, production histories, and elucidation of references.

This is the first systematic attempt to trace the beginnings of Modern Literary Yiddish, beginning in the eighteenth century. Kerler examines hitherto neglected Yiddish books from the period in order to analyze the linguistic changes manifest in both the transition and shift from old to nascent ...

This is the first systematic attempt to trace the beginnings of Modern Literary Yiddish, beginning in the eighteenth century. Kerler examines hitherto neglected Yiddish books from the period in order to analyze the linguistic changes manifest in both the transition and shift from old to nascent Modern Literary Yiddish within the broader context of genre and literary traditions and in the framework of Yiddish dialectology, grammar, and sociolinguistics. A major work of linguistic scholarship, The Origins of Modern Literary Yiddish is an important contribution to the study of the crystallization process of literary languages.

The phenomenal rise of Yiddish language and culture is one of the most interesting and colorful sagas of modern Jewish history. In this significant book, Dr. Goldsmith relates the growth of Yiddish to the explosion of Jewish literature, the surge of Zionism, and the popularity of Socialism that ...

The phenomenal rise of Yiddish language and culture is one of the most interesting and colorful sagas of modern Jewish history. In this significant book, Dr. Goldsmith relates the growth of Yiddish to the explosion of Jewish literature, the surge of Zionism, and the popularity of Socialism that impacted upon the Jews of Europe, America, and Israel. Including a study of the major personalities associated with the first Yiddish Language Conference (1908,) this is the first comprehensive work to explore a movement that affected the lives of millions of Jews before the Holocaust and continues to influence Jewish life throughout the world.

THIS FIRST-EVER popular history of Yiddish is so full of life that it reads like a biography of the language. For a thousand years Yiddish was the glue that held a people together. Through the intimacies of daily use, it linked European Jews with their heroic past, their spiritual universe, their ...

THIS FIRST-EVER popular history of Yiddish is so full of life that it reads like a biography of the language. For a thousand years Yiddish was the glue that held a people together. Through the intimacies of daily use, it linked European Jews with their heroic past, their spiritual universe, their increasingly far-flung relations. In it they produced one of the world's most richly human cultures. Impoverished and disenfranchised in the eyes of the world, Yiddish-speakers created their own alternate reality - wealthy in appreciation of the varieties of human behavior, spendthrift in humor, brilliantly inventive in maintaining and strengthening community. For a people of exile, the language took the place of a nation. The written and spoken word formed the Yiddishland that never came to be. Words were army, university, city-state, territory. They were a people's home. The tale, which has never before been told, is nothing short of miraculous - the saving of a people through speech. It ranges far beyond Europe, from North America to Israel to the Russian-Chinese border, and from the end of the first millenium to the present day. This book requires no previous knowledge of Yiddish or of Jewish history - just a curious mind and an open heart. “Yes God we are your chosen people. But why did you have to choose us?”--(Yiddish saying)

This book examines representations of modernity in Yiddish literature between the Russian revolution of 1905 and the beginning of the First World War. Within Jewish society, and particularly Eastern European Jewish society, modernity was often experienced as a series of incursions and threats to ...

This book examines representations of modernity in Yiddish literature between the Russian revolution of 1905 and the beginning of the First World War. Within Jewish society, and particularly Eastern European Jewish society, modernity was often experienced as a series of incursions and threats to traditional Jewish life. Writers explored these perceived crises in their work, in the process reconsidering the role and function of Yiddish literature itself.

The orientation of nineteenth-century Yiddish fiction toward the shtetl came into conflict with the sense of reality of young writers, who felt themselves part of a rapidly changing modern urban environment. This opposition between the generations was reflected in their principles of plot construction. The conservatives employed cyclical patterns, producing mythological schemes for incorporating the new experience into the traditional order. Modernists emphasized the uniqueness of the new, and therefore preferred a linear organization of plot with emphasis,on the transformation of individual character.

The texts under discussion (primarily novels and novellas) are analyzed with respect to the way they represent different aspects of the modern world: economic change, revolutionary politics, emigration, and the emancipation of women. The author's methodology draws upon a variety of semiotic, structuralist, and psychoanalytic approaches, informed by insights derived from the Soviet Marxist tradition.

The writers treated in the book include the classical figures Sholem Aleichem and Y. L. Peretz, their lesser-known contemporaries Yankev Dinezon, Mordkhe Spektor, and S. Ansky, younger authors from Russia and Poland, including SholemAsch, David Bergelson, and Itche-Meir Weissenberg, and the American Yiddish writers Leon Kobrin, David Ignatov, Joseph Opatoshu, Isaac Raboy, and Morris-Jonah Haimowitz.