Silla Buddhism and the Hwarang Segi Manuscripts

Article excerpt

This article assesses the authenticity of the recently publicized Hwarang segi manuscripts by comparing the information they contains relating to the hwarang and Silla Buddhists and Buddhism to the information found in the traditional Chinese Buddhist materials and the Korean literary materials dating to the mid-Koryo period. The evidence suggests that the manuscripts are not "authentic" or "genuine," but are probably an in-progress historical fiction dating to the colonial period, because they concoct problematic genealogies for known figures, because they promote Buddhist identities for sixth-century figures that are anachronistic, and because they deploy specialized terminology inconsistently.


The hwarang [TEXT NOT REPRODUCIBLE IN ASCII] (flower boys) were instituted in the first half of the sixth century, in generally the same period that Buddhism was accepted as a state religion by the royalty and aristocracy of Silla [TEXT NOT REPRODUCIBLE IN ASCII] (ca. 300-935). The exact nature of the relationship between the early hwarang organization and the nascent Buddhist tradition in Silla has long vexed students of ancient Korean society. The most influential studies of the hwarang generally ignore their relationship to Buddhism and Buddhist influences. The reason scholars demur from making suggestions is that the literary evidence is sparse and difficult to interpret and the connections to Daoism and "shamanism" appear more compelling. (1) With the publication of the putative Hwarang segi [TEXT NOT REPRODUCIBLE IN ASCII] manuscripts in the late twentieth century, the question should be readdressed because the manuscripts contain new information related to known Silla Buddhists and introduce accounts of otherwise unknown Buddhists and the interrelationship between the hwarang and the Buddhist order.

Since the validity of the manuscripts themselves is still a matter of much debate, the purpose of this article is to assess the authenticity of the manuscripts by addressing the following question: How does the presentation of Silla Buddhists and Buddhist-related themes and information in the Hwarang segi manuscripts compare to that of the traditional historical and literary materials? After a short introduction to the Hwarang segi manuscripts a brief review will follow of the connections between the hwarang and Silla Buddhism from the standpoint of the long-established texts. Finally the information contained in the Hwarang segi manuscripts on Buddhists and Buddhist themes will be analyzed under three topics: (1) the monk Won'gwang [TEXT NOT REPRODUCIBLE IN ASCII], (2) the householder Murim [TEXT NOT REPRODUCIBLE IN ASCII], and (3) the idea and identity of the Miruk sonhwa [TEXT NOT REPRODUCIBLE IN ASCII].

The Hwarang segi Manuscripts

The Hwarang segi manuscripts consist of two handwritten documents in the calligraphy of Pak Ch'anghwa [TEXT NOT REPRODUCIBLE IN ASCII] (1889-1962), a scholar and one-time employee of the Japanese colonial government from 1933 to 1945. (2) In Korean scholarship the manuscripts have been labeled the palch'webon [TEXT NOT REPRODUCIBLE IN ASCII], or "extract," and the p'ilsabon [TEXT NOT REPRODUCIBLE IN ASCII], or "calligraphic copy." The extract contains a preface and abbreviated accounts of the first fifteen p'ungwolchu [TEXT NOT REPRODUCIBLE IN ASCII], the term used in the manuscripts to refer to the leader of the hwarang recognized by the Silla government. The calligraphic copy contains fuller treatments of the lives of the fourth through thirty-second-generation p'ungwolchu. The final entries of the calligraphic copy take place around the year 682, suggesting that the manuscripts are putatively the work of Kim Taemun [TEXT NOT REPRODUCIBLE IN ASCII] (fl. 704), the author of the Hwarang segi mentioned in Koryo-period literature. (3) The owner of the manuscripts maintains that Pak copied them from an original held by the Japanese government, although there is no evidence to support this claim. …