The Poet and the Computer

Article excerpt

Norman Cousins (Spring 1989)

A poet, said Aristotle, has the advantage of expressing the universal; the technician or specialist expresses only the particular. The poet, moreover, can remind us that man's greatest energy comes not from his dynamos but from his dreams. The notion of where a man ought to be instead of where he is; the liberation from cramped prospects; the intimations of immortality through art - all these proceed naturally out of dreams. But the quality of man's dreams can only be a reflection of his subconscious. What he puts into his subconscious, therefore, is quite literally the most important nourishment in the world.

Nothing really happens to a man except as it is registered in the subconscious. This is where event and feeling become memory and where the proof of life is stored. The poet - and I use the term to include all those who have respect for and speak to the human spirit - can help to supply the subconscious with material to enhance its sensitivity, thus safeguarding it. The poet, too, can help to keep man from making himself over in the image of his electronic marvels. The danger is not so much that man will be controlled by the computer as that he may imitate it.

There once was a time, in the history of this society, when the ability of people to convey meaning was enriched by their knowledge of and access to the work of creative minds from across the centuries. No more. Conversation and letters today, like education, have become enfeebled by emphasis on the functional and the purely contemporary. The result is a mechanization not just of the way we live but of the way we think, and of the human spirit itself.

The delegates to the United States Constitutional Convention were able to undergird their arguments with allusions to historical situations and to the ideas of philosophers, essayists, and dramatists. Names such as Thucydides, Aristotle, Herodotus, Plutarch, or Seneca were commonly cited to support their positions. They alluded to fictional characters from Aristophanes, Marlowe, or Shakespeare to lend color to the exploration of ideas. The analytical essays by Hamilton, Madison, and Jay that appeared in The Federalist Papers were an excursion into the remote corners of history.

Men such as Jefferson, Adams, Franklin, and Rush could summon pertinent quotations from Suetonius or Machiavelli or Montaigne to illustrate a principle. If they referred to Bacon's opinion of Aristotle, they didn't have to cite particulars; they assumed such details were common knowledge. Their allusions were not the product of intellectual ostentation or ornamentation but the natural condiments of discourse, bringing out the full flavor of the cultivated intelligence.

The same was true of correspondence. People regarded letters as an art form and a highly satisfying way of engaging in civilized exchange. The correspondence of Jefferson and Adams and Priestley was not so much a display of personal matters as a review of the human condition. It was not unusual for the writers to range across the entire arena of human thought as a way of sharing perceptions. Allusion was common currency. Today, we rarely turn to letters as a way of embarking on voyages of intellectual discovery.

The essential problem of humankind in a computerized age remains the same as it has always been. That problem is not solely how to be more productive, more comfortable, more content, but how to be more sensitive, more sensible, more proportionate, more alive. …