Eros, Gender Roles at Novel's Heart

Article excerpt

Byline: Kendal Weaver Associated Press

Lily King's new novel, "Euphoria," unfolds on a South Pacific island where a trio of young anthropologists lives among isolated tribes to make groundbreaking studies of primitive cultures.

Rich in detail, at times fascinating and harrowing, the story offers a many-sided look at love and eros -- and bracing doses of reality.

The time is the early 1930s. A married couple and a single man, struggling with their field studies, have just hit low points when they cross paths in the jungle backwaters of New Guinea.

The novel's opening sequence is arresting. The couple -- New Yorker Nell Stone and her Australian husband, Schuyler Fenwick, known as Fen -- are hastily leaving a violent tribe where their work has not gone well. Stone has skin lesions and is feverish, but Fen seems abusive to her anyway.

Soon they will meet the third part of their triangle, Andrew Bankston, a Britisher in a black mood. He helps Stone regain her health, and directs the couple to a more suitable tribe to study, not too far from his own site.

Around these main characters, King weaves in touches of historical context from the field of anthropology when Margaret Mead was producing best-selling books on her studies of young people in Samoa and New Guinea. In many ways, Mead's life is reflected through Stone.

Stone is a well-regarded researcher whose book, "The Children of Kirakira," has been a success, and, like Mead, she has unconventional views of sex roles. …