42nd ICTM World Conference

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11-27 July, 2013.

Shanghai Conservatory of Music, Shanghai People's Republic of China.

Third notice

You are cordially invited to attend the 42nd World Conference of the ICTM which will be held in the summer of 2013 and hosted by the Shanghai Conservatory of Music.

The ICTM World Conference is the leading international venue for the presentation of new research on music and dance. Many new initiatives emerge at World Conferences and, haps even more crucially discussion at these meetings helps us to shape our ongoing work. A successful World Conference-like that in St. John's, Newfoundland, in July of 2011-is a truly stimulating place to be. Shanghai is one of the world's most vibrant cities, and the Shanghai Conservatory is ideally located in the heart of the old French district, within easy walking distance of a wide range of hotels, restaurants, and stores, and with convenient access to metro transportation.

World Conference website: ictm2013.shcmusic.edu.cn

Program Committee

J. Lawrence Witzleben (Chair, USA)

Samuel Araújo (Brazil)

Dan Bendrups (Australia)

Salwa El-Shawan Castelo-Branco (Portugal)

Frederick Lau (USA)

Alvin Petersen (South Africa)

Svanibor Pettan (Slovenia)

Xiao Mei (China)

Contact Information

J. Lawrence Witzleben

School of Music, 2110 Clarice Smith

Performing Arts Center

University of Maryland

College Park MA 20742-1620

United States of America

Email: jlwitz@umd.edu

Telephone: +1 (301) 405-5502

Fax: +1 (301) 314-9504

Local Arrangements Committee

Yang Yan-di (Co-chair)

Xiao Mei (Co-chair)

Han Zhong-En (member)

Luo Qin (member)

Zhao Wei-Ping (member)

Chen Xiao-Yi (member)

Tang Jun-Jie (member)

Li Xiao-Nuo (member)

Wu Wei-Xi (member)

Huang Wan (secretary)

Chen Ting-Ting (secretary)

Contact Information

3rd Floor, Rehearsal Center

Fenyang Road, No. 20

Shanghai Conservatory of Music

Shanghai

P.R. China

Email: ictm2013@shcmusic.edu.cn

Telephone: +86 (21) 6431-4353, 6431-4028

Fax: +86 (21) 64745068

Conference Themes

1. Presentation and Representation in Minority Musics and Dance

A meeting in a nation with fifty-five officially recognised minority ethnicities is a perfect opportunity to engage in further discussions of a theme that has produced some of the most exciting work in ICTM circles in recent years. We understand "minorities" (in the broad sense as defined by the ICTM Study Group on Music and Minorities) to be "groups of people distinguishable from the dominant group for cultural, ethnic, social, religious, or economic reasons". Some suggested topics within this theme include: 1) definitions and treatment of minorities at various times and in various places, and the consequences for music and dance; 2) presentational contexts for minorities within private and public domains; 3) representation of minorities and their music and dance in various media contexts; 4) reflections of minority-minority relations (as well as minority-majority relations) in music and dance; and 5) educational perspectives and possibilities for betterment within the frame of applied ethnomusicology.

2. Rethinking, Reconstructing, and Reinventing Musical Pasts

This theme addresses the representation of historical aspects of cultural practice in ethnomusicology and ethnochoreology, and the ways in which researchers engage with history in ethnography. It seeks to open up a discourse on the role that history plays in informing and influencing cultural practices, and the ways in which researchers can use historical resources for contemporary purposes. Papers may also look into how such representations are configured by cultural politics, especially within the framework of nationalist or regionalist movements, or, alternatively, how they emanate from grassroots movements. …