Greed: The Seven Deadly Sins

Greed: The Seven Deadly Sins

Greed: The Seven Deadly Sins

Greed: The Seven Deadly Sins

Synopsis

Grasping. Avarice. Covetousness. Miserliness. Insatiable cupidity. Overreaching ambition. Desire spun out of control. The deadly sin of Greed goes by many names, appears in many guises, and wreaks havoc on individuals and nations alike. In this lively and generous book, Phyllis A. Tickle argues that Greed is "the Matriarch of the Deadly Clan," the ultimate source of Pride, Envy, Sloth, Gluttony, Lust, and Anger. She shows that the major faiths, from Hinduism and Taoism to Buddhism and Christianity regard Greed as the greatest calamity humans can indulge in, engendering further sins and eviscerating all virtues. As the Sikh holy book Adi Granth asks: "Where there is greed, what love can there be?" Tickle takes a long view of Greed, from St. Paul to the present, focusing particularly on changing imaginative representations of Greed in Western literature and art. Looking at such works as the Psychomachia, or "Soul Battle" of the fifth-century poet Aurelius Clemens Prudentius, the paintings of Peter Bruegel and Hieronymous Bosch, the 1987 film Wall Street, and the contemporary Italian artist Mario Donizetti, Tickle shows how our perceptions have evolved from the medieval understanding of Greed as a spiritual enemy to a nineteenth-century sociological construct to an early twentieth-century psychological deficiency, and finally to a new view, powerfully articulated in Donizetti's mystical paintings, of Greed as both tragic and beautiful. Engaging, witty, brilliantly insightful, Greed explores the full range of this deadly sin's subtle, chameleon-like qualities, and the enormous destructive power it wields, evidenced all too clearly in the world today.

Excerpt

A religion editor for a trade journal—which is what I am and of whom, believe me, there are not many—functions as a student of religion commercially applied. From that perspective, religion is most accurately seen as a rope or cable of meaning that stretches through human history and has anchored, in one form or another, every culture or subculture of human society from its beginning. Like any good and anchoring cable, this one too is composed of strands. in religion's case, the strands are three in number: spirituality, corporeality, and morality. As components in a larger whole, the three are held together by the porous, inner sleeve of a common . . .

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