Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.
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Recent Work in Critical Theory By Baker, William Womack, Kenneth Style, Vol. 32, No. 4, Winter 1998
Hemingway Biography on the Silver Screen: The Critical Reception of Richard Attenborough's Film, in Love and War By Bittner, John R. The Hemingway Review, Vol. 19, No. 2, Spring 2000
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Convergence Techniques for 3-D Filming-Part II By Williams, Alan D American Cinematographer, Vol. 65, No. 4, April 1984
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1980 and Beyond-The Expanding Horizons of Theatrical Features By Stulberg, Gordon American Cinematographer, Vol. 59, No. 8, August 1978
America's Gleaming Showplace for the Art of Film and Video By Sterritt, David The Christian Science Monitor, April 18, 1989
ROSE TREADS WATER; Pictures: IAN HODGSON Rainy Daze: Scot Colin Montgomerie Grimaces in the Rain before Using a Tartan Towel to Dry off on His Way to a Respectable 73 MONTY'S SOAKING IT ALL UP Waterfall: Justin Rose Stumbles Awkwardly after Playing a Difficult Shot from the Rough on the Sixth Hole amid the Wet and Windy Conditions Picture: REUTERS By Fraser, Alan Daily Mail (London), July 18, 2008