Focusing on the aesthetics of video, Timeshift tests current semiotic, postmodernist and psychoanalytic approaches in the laboratory of real-life video viewing.
Related books and articles
Video Classics: A Guide to Video Art and Documentary Tapes By Deirdre Boyle Oryx Press, 1986
Come on Down? Popular Media Culture in Post-War Britain By Dominic Strinati; Stephen Wagg Routledge, 1992
Analyzing Mass Media through Video Art Education: Popular Pedagogy and Social Critique in the Work of Candice Breitz By Spont, Marya Studies in Art Education, Vol. 51, No. 4, Summer 2010
Popular Trauma Culture: Selling the Pain of Others in the Mass Media By Ball, Karyn Film & History, Vol. 45, No. 1, Summer 2015
Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Press Pause: Critically Contextualizing Music Video in Visual Culture and Art Education By Taylor, Pamela G. Studies in Art Education, Vol. 48, No. 3, Spring 2007
Birth of a Medium: Video Games, Art, and Moral Panic By Walker, Jesse Reason, Vol. 35, No. 3, July 2003
Terrorism, the Mass Media, and the Events of 9-11 By Nacos, Brigitte L. Phi Kappa Phi Forum, Vol. 82, No. 2, Spring 2002
"Cut: Film as Found Object in Contemporary Video"; Milwaukee Art Museum By Grabner, Michelle Artforum International, Vol. 44, No. 3, November 2005
Arts Diary: Pioneer Reports on March of Video Art By Key, Philip Daily Post (Liverpool, England), June 3, 2002
Global-Themed Video Art to Hail New Millennium By Korea Times (Seoul, Korea), December 21, 1999
Unearthed Video Recordings Have Strong Pittsburgh Influence By Karlovits, Bob Tribune-Review/Pittsburgh Tribune-Review, September 10, 2006