This book examines the intellectual history of instrumental music, in particular the idea of absolute music. It tries to show how certain ideas in philosophy, theology and the sciences affect the meaning and, indeed, the existence of instrumental music, and how, in turn, instrumental music is used to resolve or exemplify certain problems in modern culture. Instead of existing in a pure and autonomous form, music is woven back into the epistemological fabric and entangled with numerous discourses, thus demonstrating the centrality of music in the construction of meaning.
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The Philosophy & Aesthetics of Music By Edward A. Lippman University of Nebraska Press, 1999
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A primary source is a work that is being studied, or that provides first-hand or direct evidence on a topic. Common types of primary sources include works of literature, historical documents, original philosophical writings, and religious texts.
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Absolute Music: The History of an Idea By Manitt, Russ Notes, Vol. 72, No. 2, December 2015
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