What was different about the environments that women created as architects, designers and clients at a time when they were gaining increasing political and social status in a male world? Through a series of case studies, Women's Places: Architecture and Design 1860-1960, examines in detail the professional and domestic spaces created by women who had money and the opportunity to achieve their ideal. Set against a background of accepted notions of modernity relating to design and architecture of the late 19th and early 20th centuries, this book provides a fascinating insight into women's social aspirations and identities. It offers new information and new interpretations in the study of gender, material culture and the built environment in the period 1860-1960.
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Peer-reviewed publications on Questia are publications containing articles which were subject to evaluation for accuracy and substance by professional peers of the article's author(s).
Beauty and Civilisation: As a Major New Exhibition on the Aesthetic Movement Opens at the Victoria and Albert Museum, Richard Cavendish Explores Bedford Park, the Garden Suburb Inspired by the Movement's Ideals and Charlotte Crow Previews the Display By Cavendish, Richard History Today, Vol. 61, No. 4, April 2011
"The Cult of Beauty: The Aesthetic Movement 1860-1900" By Davies, Christie New Criterion, Vol. 29, No. 9, May 2011
The Cult of Beauty: The Aesthetic Movement 1860-1900 By Crow, Charlotte History Today, Vol. 61, No. 4, April 2011
A Blueprint for Women Architects to Overcome Doubt, Discrimination By Scharphie, Mia The Christian Science Monitor, May 1, 2013
THE CULT OF BEAUTY; Daring Paints, Pomegranate Wallpapers and Spectacular Iznik Tiles Filled Homes Great and Small. the V&A Celebrates the Aesthetic Movement, Reports Philippa Stockley By Stockley, Philippa The Evening Standard (London, England), March 23, 2011
Nature's Artful Expression; Nick Alderson Looks at the Aesthetic Legacy of the Land Art Movement By The Northern Star (Lismore, Australia), October 22, 2011