Reading In: Alice Munro's Archives

Reading In: Alice Munro's Archives

Reading In: Alice Munro's Archives

Reading In: Alice Munro's Archives


What can we learn about authorship through a reading of a writer's archive?

Collections of authors' manuscripts and correspondence have traditionally been used in ways that further illuminate the published text. JoAnn McCaig sets out to show how archival materials can also provide fascinating insights into the business of culture, reveal the individuals, institutions, and ideologies that shape the author and her work, and describe the negotiations that occur between an author and the cultural marketplace. Using a feminist cultural studies approach, JoAnn McCaig “reads in” to the archives of acclaimed Canadian short story writer Alice Munro in order to explore precisely how the terms "Canadian," "woman," "short story," and "writer" are constructed in her writing career. Munro's correspondence with mentor Robert Weaver, agent Virginia Barber, publishers Doug Gibson and Ann Close, and writer John Metcalf tell a fascinating story of how one very determined and gifted writer made her way through the pitfalls of the culture business to achieve the enviable authority she now claims.

McCaig's discussion of her own difficulties with obtaining copyright permission for the book raises important questions about freedom of scholarly inquiry and about the unforeseen difficulties and limitations of archival research. Despite these difficulties, McCaig's reading of the Munro archives succeeds in examining the business of culture, the construction of the aesthetic, and the impact of gender, genre, nationality, and class on authorship. While on one level telling the story of one author's career - the progress of Alice Munro, so to speak - the book also illustrates how cultural studies analysis suggests ways of opening up the rich but underutilized literary resource of authorial archives to all researchers.


This is not the book I wanted to publish. This is not the book I originally wrote. The work before you is a drastically edited version of a manuscript (based on my doctoral research) which I submitted to Wilfrid Laurier University Press in the autumn of 1997. These changes became necessary when Alice Munro, along with her literary agent, Virginia Barber, and her editor at Knopf, Ann Close, declined to give me permission to quote from their correspondence, which is collected at the University of Calgary.

In the fall of 1997, Barber and Munro reluctantly granted me permission, through an intermediary, to quote their correspon¢ dence for an article in Essays on Canadian Writing. Ann Close queried a few items, but willingly gave her permission for the article, titled “Alice Munro's Agency: The Virginia Barber Correspondence.” However, I ran into difficulty when I approached these three women directly in the spring of 1999 for permission to quote their letters in this book. In the cases of Close and Barber, there has been no direct refusal—simply no response. And initially, Munro only refused me permission to quote from her letters to John Metcalf, which are collected in his archive. At the time I thought, well, fair enough. These are per¢ . . .

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