Joyce's Revenge: History, Politics, and Aesthetics in Ulysses


'Gibson's nuanced historicist semi-colonial reading is particularly effective in the interpretation of the most challenging parts of the novel, especially the last three episodes.' -Clare Hutton, Times Literary Supplement'This thought-provoking study makes a significant and highly original contribution to scholarship on Ulysses... a particular strength of this book is the way in which it seeks to interpret the aesthetic of Ulysses as a whole, rather than focusing on a few key features or episodes.' -Clare Hutton, Times Literary Supplement'Andrew Gibson combines a wealth of knowledge and research... with an admirable sensitivity to the Joycean text. The book has much to do with what postcolonial theory calls 'hybridity' and 'mimicry', but is also densely and precisely historicized... Joyce's Revenge immerses itself in a broad range of specific cultural discourses on subjects from nationalist politics to medical debates to the politics of street names, the politics of Shakespeare and bardolatry, Protestant-Catholic relations, Jewishness, Irish historiography, women's journals, and astronomy. The result is an important new study that will alter the ways we read Ulysses.' -Professor Vincent J. ChengIn this book Andrew Gibson argues that the aesthetic practices that make up Ulysses are responses to the colonial history of Ireland and the colonial politics of Irish culture.


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