In Science's Shadow: Literary Constructions of Late Victorian Women

In Science's Shadow: Literary Constructions of Late Victorian Women

In Science's Shadow: Literary Constructions of Late Victorian Women

In Science's Shadow: Literary Constructions of Late Victorian Women

Synopsis

The Victorian era was characterized by great scientific curiosity-as exemplified by the publication of Darwin's Descent of Man -as well as by new questions regarding the place of women in society. Patricia Murphy now explores the tenuous interplay of gender and science to show how the era's literature both challenged and reinforced a constrictive role for Victorian women. Focusing on a specific body of literature involving women intensely associated with scientific pursuits, and examining selected noncanonical writings-both fictional and nonfictional representations of scientific women-Murphy demonstrates how these works informed the "Woman Question" by reinforcing or rejecting presumed truths about gender and science.

Some of these texts offer lucid insights into the ways in which women were defined, marginalized, and excluded. In his novel Two on a Tower, Thomas Hardy presented science as a masculine realm threatened by female intrusion, while Wilkie Collins in Heart and Science depicted a woman interested in science as a villainous schemer who falls far short of the Victorian ideal of femininity. And although Charles Reade's novel A Woman-Hater was more sympathetic in its portrayal of a female physician, it continued to reinforce Victorian stereotypes. In contrast, Murphy also shows us the poetry of science enthusiast Constance Naden, who used the language of the discipline to reflect its marginalization of women. Murphy also uses the travel memoirs of botanical painter Marianne North, which reveal her attempts to achieve a gender-neutral voice to position her work within the Victorian scientific realm. Through the words of these women, Murphy shows how popular notions of women's inferiority and marginality were internalized and addressed. These close readings further elucidate the status of women in late-nineteenth-century England and show how prejudices about women's intellectual inferiority infiltrated popular culture. In Science's Shadow makes new inroads in the study of gendered scientific discourse while introducing readers to some little-known, but most revealing, literary works

Excerpt

Statements that Victorians were intrigued by science and preoccupied with the Woman Question are certainly not extraordinary pronouncements, since both nonfictional and fictional texts of the period amply display the significance these concerns held. As numerous nineteenth-century essays and treatises composed by biologists, physicians, anthropologists, psychologists, and other scientists disclose, the two issues were often overtly interwoven, with “objective” findings ostensibly providing conclusive evidence that long-standing cultural perceptions of an innate female inferiority were correct. Literature, too, brought the Victorian engrossment with science and gender to the fore, albeit often in a highly subtle manner, to posit or interrogate a causal relationship between them. Though interest in gendered science was reflected in literature throughout the Victorian period, some of the most complex and compelling texts to scrutinize the topic appeared in the late decades of the century. Perhaps the 1871 publication of Charles Darwin's Descent of Man, and Selection in Relation to Sex acted as a kind of cultural trigger for stimulating literary interest in the subject through the treatise's gender-charged scientific assertions and the prominence of . . .

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