Lyrics and Borrowed Tunes of the American Temperance Movement

Lyrics and Borrowed Tunes of the American Temperance Movement

Lyrics and Borrowed Tunes of the American Temperance Movement

Lyrics and Borrowed Tunes of the American Temperance Movement


Cold water is the drink for me / Of all the drinks the best, sir; / Your grog, of whate'er name it be, / I dare not for to taste, sir.

Such a lyric, sung to the tune of "Yankee Doodle," was typical ammunition in the temperance movement's battle against alcohol. By the 1830s, Americans drank an average of 9.5 gallons of hard liquor each year. From the 1840s until the beginning of Prohibition, well over one hundred temperance songbooks were published in which inspirational lyrics were set to mostly borrowed tunes in the hope of persuading citizens to put down the bottle.

Despite the prominent place of music in the temperance movement, little has been written about the large volume of lyrics it produced. This book, the most extensive on the subject in nearly thirty years, presents more than four hundred of those lyrics and the thirty-two melodies most often employed, from "Auld Lang Syne" to "The Star-Spangled Banner." Paul D. Sanders has assembled the various songs the movement used into five thematic chapters: patriotic songs, hymns, traditional Scottish songs, popular songs, and Civil War songs. In each, he offers an introductory commentary, provides the music for the original song to remind readers of the tune, and then presents the temperance versions chronologically with the lyricists' names where known. The songs reflect the efforts of the four major temperance organizations: the Washingtonians, the Independent Order of Good Templars, the Woman's Christian Temperance Union, and the Anti-Saloon League. And although today's image of temperance reformers is generally that of controlling puritans, these songs show that it was a multifaceted movement with a diverse influence on American society. While many of these songs might seem naive or even comical to modern readers, temperance workers in their day understood that music was a powerful force that could be used to sway the masses. These crusaders were sincere in their wish to eradicate the alcohol problem. Sanders's book is a lively collection, punctuated with temperance cartoons, that shows that these persuasive songs have stories to tell us today, bringing the evolution of the movement into clearer focus than ever before.


Little has been written on the music of the temperance movement. George W. Ewing’s The Well-Tempered Lyre (1977), the only major work on this topic, presents an outstanding overview of the various themes of the movement through music and verse, but it makes no effort to systematically present the music and lyrics of temperance reformers.

While many songs were composed specifically for the temperance movement, most temperance songs set new words to familiar melodies. the present volume features thirty-two of the most popular borrowed tunes, many of which are still familiar today, accompanied by dozens of sets of lyrics. Aside from providing brief commentary, this book does not attempt to put these songs in the context of nineteenth- and early twentieth-century society. Instead, the compelling story of the movement unfolds through primary sources, as the writers of the day speak for themselves. It is my hope that readers will share my fascination with both the messages and sheer volume of these lyrics.

My thanks to staff members at the Ohio Historical Society Archives, the Performing Arts Reading Room at the Library of Congress, and the Ohio State University Libraries for their assistance with this project.

Search by... Author
Show... All Results Primary Sources Peer-reviewed


An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.