The Edinburgh History of Scottish Literature - Vol. 1

The Edinburgh History of Scottish Literature - Vol. 1

The Edinburgh History of Scottish Literature - Vol. 1

The Edinburgh History of Scottish Literature - Vol. 1

Synopsis

The Edinburgh History of Scottish Literature General Editor: Ian Brown Co-editors: Thomas Owen Clancy, Susan Manning and Murray Pittock The Edinburgh History of Scottish Literature offers a major reinterpretation, re-evaluation and repositioning of the scope, nature and importance of Scottish Literature, arguably Scotland's most important and influential contribution to world culture. Drawing on the very best of recent scholarship, the History contributes a wide range of new and exciting insights. It takes full account of modern theory, but refuses to be in thrall to critical fashion. It is important not only for literary scholars, but because it changes the very way we think about what Scottishness is.The Edinburgh History of Scottish Literature, Volume 2:Enlightenment, Britain and Empire (1707-1918)Period Editor: Susan Manning General Editor: Ian Brown Co-editors: Thomas Owen Clancy and Murray Pittock Between 1707 and 1918, Scotland underwent arguably the most dramatic upheavals in its political, economic and social history. The Union with England, industrialisation and Scotland's subsequent defining contributions throughout the eighteenth and nineteenth centuries to the culture of Britain and Empire are reflected in the transformative energies of Scottish literature and literary institutions in the period. New genres, new concerns and whole new areas of interest opened under the creative scrutiny of sceptical minds. This second volume of the History reveals the major contribution made by Scottish writers and Scottish writing to the shape of modernity in Britain, Europe and the world.The other volumes in the History are: The Edinburgh History of Scottish Literature, Volume 1: From Columba to the Union (until 1707) The Edinburgh History of Scottish Literature, Volume 3: Modern Transformations: New Identities (from 1918) Key Features
• Original - presents new approaches to what is literature and wha

Excerpt

The Edinburgh History of Scottish Literature is conceived and produced as a single entity. In consultation with the publishers, the editors have sought to present it in three volumes. This is done for practical reasons. Each volume is in itself of some substance. To publish all three in one volume might have produced an unwieldy and inaccessible tome, not so much weighty as burdensome.

The Edinburgh History of Scottish Literature in three volumes then is, yet, a single work. Each editor has taken prime responsibility for an individual period: Thomas Owen Clancy for up to 1314, Murray Pittock for 1314–1707, Susan Manning for 1707–1918 and Ian Brown for 1918 onwards. Nonetheless, it is the essence of our editorial process that every chapter has been considered by all editors. In other words, the conception and shaping of this History aims to avoid false time divisions, and to promulgate the understanding that Scottish literature is a continuous and multi-channelled entity from its beginnings – presumably well before the first remnants that survive from the first millennium – till the present moment. Similarly, it has sought to include, and give adequate representation to, wide varieties of Scottish literature, including that in Gaelic, Latin, Norse, Welsh and French as well as the Scots and English most commonly in the past associated with the term ‘Scottish literature’. It also includes, as appropriate, oral and performance literature and diaspora literatures and writers. Scottish literature is best understood as an inclusive, not an exclusive, term. This is a theme, both of intellectual discourse and architectonic structure, of The Edinburgh History of Scottish Literature.

In preparing this History, the editors have sought at all times to marry the most up-todate and rigorous scholarship with the avoidance of a distracting reference apparatus unsuited to the needs of the general reader. Each of the following chapters is, the editors hope, marked by both a high degree of accessibility and straightforward readability, and also by reliability and the intellectual rigour that comes from commanding knowledge gracefully worn. It is in pursuit of this aim of a balance of deep scholarship and ease of access that the three-volume format has been adopted. Although of course it is entirely possible for an individual reader to choose to focus her or his study on the volume that most closely meets immediate needs or interests, each volume will be most rewarding when read in the context and light of the other two.

Readers of volumes two and three are therefore recommended to bear in mind the matters raised in the Introduction which opens volume one. This contains two chapters considering the nature and study of Scottish literature, one prepared by the editors, the other by Cairns Craig. Volume one continues with the first two periods of the History, up to 1314 and 1314–1707. Volume two contains the period, 1707–1918. Volume three contains the period from 1918 onwards. Each volume has its own index and list of contributors and so can be read as a coherent whole. The editors, however, make no apology for the fact that each volume contains material that relates to years beyond its explicit period or . . .

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