Patricia Neal: An Unquiet Life

Patricia Neal: An Unquiet Life

Patricia Neal: An Unquiet Life

Patricia Neal: An Unquiet Life

Synopsis

The internationally acclaimed actress Patricia Neal has been a star on stage, film, and television for nearly sixty years. On Broadway she appeared in such lauded productions as Lillian Hellman's Another Part of the Forest, for which she won the very first Tony Award, and The Miracle Worker. In Hollywood she starred opposite the likes of Ronald Reagan, Gary Cooper, John Wayne, Paul Newman, Fred Astaire, and Tyrone Power in some thirty films. Neal anchored such classic pictures as The Day the Earth Stood Still, A Face in the Crowd, and Breakfast at Tiffany's, but she is perhaps best known for her portrayal of Alma Brown in Hud, which earned her the Academy Award for Best Actress in 1963. But there has been much, much more to Neal's life. She was born Patsy Louise Neal on January 20, 1926, in Packard, Kentucky, though she spent most of her childhood in Knoxville, Tennessee. Neal quickly gained attention for her acting abilities in high school, community, and college performances. Her early stage successes were overshadowed by the unexpected death of her father in 1944. Soon after she left New York for Hollywood in 1947, Neal became romantically involved with Gary Cooper, her married co-star in The Fountainhead, an attachment which brought them both a great deal of notoriety in the press and a great deal of heartache in their personal lives. In 1953, Neal married famed children's author Roald Dahl, a match that would bring her five children and thirty years of dramatic ups and downs. In 1961, their son, Theo, was seriously injured in an automobile accident and required multiple neurosurgeries and years of rehabilitation; the following year their daughter, Olivia, died of measles. At the pinnacle of her screen career, Patricia Neal suffered a series of strokes which left her in a coma for twenty-one days. Variety even ran a headline erroneously stating that she had died. At the time, Neal was pregnant with her and Dahl's fifth child, Lucy, who was born healthy a few months later. After a difficult recovery, Neal returned to film acting, earning a second Academy Award nomination for The Subject Was Roses. She appeared in a number of television movie roles in the 1970s and 1980s and won a Golden Globe for Best Actress in a Dramatic TV Movie in 1971 for her role in The Homecoming. Patricia Neal: An Unquiet Life is the first critical biography detailing the actress's impressive film career and remarkable personal life. Author Stephen Michael Shearer has conducted numerous interviews with Neal, her professional colleagues, and her intimate friends and was given access to the actress's personal papers. The result is an honest and comprehensive portrait of an accomplished woman who has lived her life with determination and bravado.

Excerpt

I met Patricia Neal many years ago in New York when I was performing in Luigi Jannuzzi’s off-Broadway play The Appointment. It won the Samuel French Award that year. Ms. Neal, along with Philip and Marilyn Langner of the Theatre Guild, came to see the play one night, and we met afterward. At some point during our first conversation I told Ms. Neal of my interest in her career. I was of course familiar with her life and its struggles and triumphs. Her film output I only knew in parts. I did not know that she had produced such a large and important body of work.

One thing I discovered in my research for this book was how highly respected her career has been, revered by both contemporary critics and her professional colleagues. in studying her work and viewing rare television and film footage, I was pleasantly surprised to find so many truly strong performances by her. Her stage work in particular consistently garnered the highest praise, and her film performances, especially those of her middle career, received remarkable consideration.

Those whom I interviewed for this book love Patricia Neal and fondly recalled the pleasure of having worked with her. Without exception they gave generously of their time and memories in interviews. I count myself fortunate to have had for this, my first book, such a beloved and respected subject. the late Robert Stack told me, “Look, son, I don’t write other people’s books for them by giving interviews about people I worked with. But for you I will make an exception because it is Patricia, and she is still alive and well … and she is magnificent.”

When I advised Ms. Neal that I was writing this book, she was forthright in telling me to be honest and to chronicle her life “warts and all.” When the original manuscript was completed, I read it to her. Except for a couple of corrections for accuracy—no vanity issues were allowed—she asked for no specific changes. What I’ve taken from this is simple.

Patricia Neal is surely regarded as one of America’s greatest living dramatic actresses. Neal’s work has been abundant and varied; some have been . . .

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