The Revolver in the Hive

The Revolver in the Hive

The Revolver in the Hive

The Revolver in the Hive

Synopsis

The Revolver in the Hive takes place in the aftermath of tragedy, where grief is recognizable but contorted into unsettling forms. In this remarkable debut, Nicolas Hundley's poems chronicle with honesty - and often bitter humor - a harrowing journey through loss, death, and mourning. A widow "hauls a sack filled with the limbs of statues," and mourners become "familiar as a pet is familiar, returning years later, / stitched up from experimentation." Juxtaposing such incongruous images, Hundley creates uncanny worlds in which antiquated objects and characters coexist with those from a sinister future, in which wound-dressers and alchemists coexist alongside "heretical machines enacting misdeeds." Religion, fatherhood, and masculinity are all explored in Hundley's tales: a bicycle becomes the subject of worship, inventors act as parents to their machines, and an industrialized human reproduction takes place in factories. In Hundley's hands, words clang together in startling ways, and the repetition of phrases and images leads to unexpected transformations. The poems brilliantly use dream logic to fuel their imagery, even as they call upon a variety of poetic forms - from the prose poem to the sonnet - to evoke literary traditions that recall the gothic and the surreal. Moving and strange, Hundley's poems are unforgettable.

Excerpt

I believe they believed what I said.

I said the vents whisper calculations worth writing on your ankle.

As a watch on the counter, I said, I imagined a boxcar inside.

I imagined I asked: What about the revolver in the hive?

What about the thermos propping open the book— what book was it?

I imagined I knew this: the streetlights turned into dots at the dawn.

The dots sounded like air conditioners or they didn’t sound like anything.

2.

I have invented this twitch not thinking of you on my gurney in the exhibit.

I have invented this: a statue waiting all day long— . . .

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