Masters of the Ninth Art: Bandes dessinées and Franco-Belgian Identity

Masters of the Ninth Art: Bandes dessinées and Franco-Belgian Identity

Masters of the Ninth Art: Bandes dessinées and Franco-Belgian Identity

Masters of the Ninth Art: Bandes dessinées and Franco-Belgian Identity

Synopsis

In English-speaking countries, Francophone comic strips like Hergés's Les Aventures de Tin Tin and Goscinny and Uderzo's Les Aventures d'Asterix are viewed- and marketed- as children's literature. But in Belgium and France, their respective countries of origin, such strips- known as bandes dessinées - are considered a genuine art form, or, more specifically, "the ninth art." But what accounts for the drastic difference in the way such comics are received?

In Masters of the Ninth Art, Matthew Screech explores that difference in the reception and reputation of bandes dessinées. Along with in-depth looks at Tin Tin and Asterix, Screech considers other major comics artists such as Jacque Tardi, Jean Giraud, and Moebius, assessing in the process their role in Francophone literary and artistic culture.

Illustrated with images from the artists discussed, Masters of the Ninth Ar t will appeal to students of European popular culture, literature, and graphic art.
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