The Words and Music of Paul McCartney: The Solo Years

The Words and Music of Paul McCartney: The Solo Years

The Words and Music of Paul McCartney: The Solo Years

The Words and Music of Paul McCartney: The Solo Years


Sir Paul McCartney is considered by many to be the most successful singer/songwriter in popular music history. Much has been written on McCartney's music as a Beatle, but relatively little has been written on his music since he left the group, notwithstanding the fact that he has collaborated with some of the top musicians in pop music and, unlike any other pop musician, composed classical music as well.


Although the term singer-songwriter might most frequently be associated with a cadre of musicians of the early 1970s such as Paul Simon, James Taylor, Carly Simon, Joni Mitchell, Cat Stevens, and Carole King, the Praeger Singer-Songwriter Collection defines singer-songwriters more broadly, both in terms of style and time period. the series includes volumes on musicians who have been active from approximately the 1960s through the present. Musicians who write and record in folk, rock, soul, hip-hop, country, and various hybrids of these styles are represented. Therefore, some of the early 1970s introspective singer-songwriters named here will be included, but not exclusively.

What do the individuals included in this series have in common? Some have never collaborated as writers, whereas others have, but all have written and recorded commercially successful and/or historically important music and lyrics at some point in their careers.

The authors who contribute to the series also exhibit diversity. Some are scholars who are trained primarily as musicians, whereas others have such areas of specialization as American studies, history, sociology, popular culture studies, literature, and rhetoric. the authors share a high level of scholarship, accessibility in their writing, and a true insight into the work of the artists they study. the authors are also focused on the output of their subjects and how it relates to their subject’s biography and the society around them; however, biography in and of itself is not a major focus of the books in this series.

Given the diversity of the musicians who are the subject of books in this series, and given the diversity of viewpoint of the authors, volumes in the . . .

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