Winesburg, Indiana: Fork River Anthology

Winesburg, Indiana: Fork River Anthology

Winesburg, Indiana: Fork River Anthology

Winesburg, Indiana: Fork River Anthology


In the mythical town of Winesburg, Indiana, there lives a cleaning lady who can conjure up the ghost of Billy Sunday, a lascivious holy man with an unusual fetish and a burgeoning flock, a park custodian who collects the scat left by aliens, and a night janitor learning to live with life's mysteries, including the zombies in the cafeteria. Winesburg, Indiana, is a town full of stories of plans made and destroyed, of births and unexpected deaths, of remembered pasts and unexplored presents told to the reader by as interesting a cast of characters as one is likely to find in small town America. Brought to life by a lively group of Indiana writers, Winesburg, Indiana, is a place to discover something of what it means to be alive in our hyperactive century from stories that are deeply human, sometimes melancholy, and often damned funny.


Cease and desist demand Pursuant to Title 17 of the United States Code

City Manager 13 Spalding Street Winesburg, Indiana 46712

Dear Sir or Madam:

This law firm represents the Town of Winesburg (Ohio). If you are represented by legal counsel, please direct this letter to your attorney immediately and have your attorney notify us of such representation.

It has been brought to our attention that your town, Winesburg (Indiana), has been using the Winesburg trademark in association with the marketing or sale of your products and services, namely, those of meditative introspection, synthetic emotional effects, general literary malaise, and cathartic artistic performances including but not limited to confessions, covetings, secrets-keeping, and the wholesale packaging and propagation of spent signature tears. It is possible that you were unaware of this conflict, so we believe that it is in our mutual interest to bring this matter to your attention.

Winesburg is a registered trademark of our municipality, Winesburg (Ohio), and is used in conjunction with the distribution of dramatic monologues and third-person narrations to invoke the . . .

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