Cinderella's Sisters: A Revisionist History of Footbinding

Cinderella's Sisters: A Revisionist History of Footbinding

Cinderella's Sisters: A Revisionist History of Footbinding

Cinderella's Sisters: A Revisionist History of Footbinding

Synopsis

The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history.

Cinderella's Sisters argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women--those who could afford it--bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism--as a way to live as the poets imagined--ended up being an exercise in excess and folly.

Excerpt

Of footbinding, my colleague Stephen West has this to say, in his characteristic deadpan manner: “It was.” On a subject that has engendered lengthy treatises, strong emotions, and endless fascination, I wish to emulate Professor West’s lack of sentimentality in this book even though his economy is beyond my reach.

I started with a simple goal: to write a history of footbinding, which has never been attempted except in derision. All of the erudite books and articles that bear titles to that effect, I maintain, are histories of anti-footbinding. They begin with the premise that footbinding is despicable and generally end with the same conclusion. Many of these works focus on the heroic achievements of the anti-footbinding movement, or they extrapolate from the anti-footbinding polemics the pitiful ordeal premodern women suffered. Condemnation seems the goal of writing history.

But “it was.” My premise is that footbinding was an embodied experience, a reality to a select group of women from the twelfth to twentieth centuries. Instead of denouncing it, I seek to understand the powerful forces that made binding feet a conventional practice for them. the reality of the practice lies not only in the screams and tears (“they were”) on a girl’s first day of binding, but also in the assiduous maintenance and care she had to lavish on her feet every day for the rest of her life. I seek to locate the woman’s . . .

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