Natural State: A Literary Anthology of California Nature Writing

Natural State: A Literary Anthology of California Nature Writing

Natural State: A Literary Anthology of California Nature Writing

Natural State: A Literary Anthology of California Nature Writing

Synopsis

This is the first anthology of nature writing that celebrates California, the most geographically diverse state in the union. Readers--be they naturalists or armchair explorers--will find themselves transported to California's many wild places in the company of forty noted writers whose works span more than a century. Divided into sections on California's mountains, hills and valleys, deserts, coast, and elements (earth, wind, and fire), the book contains essays, diary entries, and excerpts from larger works, including fiction. As a prelude to the collection, editor Steven Gilbar presents two California Indian creation myths, one a Cahto narrative and the other an A-juma-wi story as told by Darryl Babe Wilson.

Familiar names appear in these pages--John Muir, Robert Louis Stevenson, John McPhee, M.F.K. Fisher, Gretel Ehrlich--but less familiar writers such as Daniel Duane, Margaret Millar, and John McKinney are also included. Among the gems in this treasure trove are Jack Kerouac on climbing Mt. Matterhorn, Barry Lopez on snow geese migration at Tule Lake, Edward Abbey on Death Valley, Henry Miller on Big Sur, and Joan Didion on the Santa Ana winds. Gary Snyder's inspiring Afterword reflects the spirit of environmentalism that runs throughout the book. Natural State also reveals the many changes to California's landscape that have occurred in geological time and in human terms. More than a book of "nature writing," this book is superb writing about nature.

Excerpt

David Brower

This book is a feast and requires a celebration. For one thing, I have known, or am almost old enough to have known, so many of the authors: LeConte, Twain, Kerouac, Brewer, Stevenson, London, Steinbeck, Stegner, Abbey, Chase, Powell, Miller (Joaquin and Henry), Muir, and Austin—all of whom preceded me (which isn’t easy). I was overwhelmed with serendipity, not to be relieved by the current host of authors who are younger (who isn’t?), including John Daniel, who had learned about writing from Wallace Stegner and was fleetingly a student of mine, when as a Berkeley dropout (1931) I briefly became a visiting professor at Stanford (1982). I should take Mr. Daniel to court for overstressing my emotional stability by revealing, in matchless prose, what a desert is all about. It hurts to hold back tears when they have no place else to go.

What John McPhee, from whose Encounters with the Archdruid I learned who I was, writes about the seismic cross California bears renews all my old anxieties. I was born in Berkeley so close to the San Andreas that I still find fault too easily and brake for tectonic plates.

But book work, as an editor for the Sierra Club and the University of California Press, informed my Berkeley decades; and I was ready, when Ted Koppel was chairing a Stanford assembly and asked me for a . . .

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