Reading Piers Plowman and The Pilgrim's Progress: Reception and the Protestant Reader

Reading Piers Plowman and The Pilgrim's Progress: Reception and the Protestant Reader

Reading Piers Plowman and The Pilgrim's Progress: Reception and the Protestant Reader

Reading Piers Plowman and The Pilgrim's Progress: Reception and the Protestant Reader

Synopsis

Centering her discussion on two historical "ways of reading"- which she calls the Protestant and the lettered- Barbara A. Johnson traces the development of a Protestant readership as it is reflected in the reception of Langland's Piers Plowman and Bunyan's Pilgrim's Progress.

Informed by reader-response and reception theory and literacy and cultural studies, Johnson's ambitious examination of these two ostensibly literary texts charts the cultural roles they played in the centuries following their composition, roles far more important than their modern critical reputations can explain.

Johnson argues that much more evidence exists about how earlier readers read than has hitherto been acknowledged. The reception of Piers Plowman, for example, can be inferred from references to the work, the apparatus its Renaissance printer inserted in his editions, the marginal comments readers inscribed both in printed editions and in manuscripts, and the apocryphal "plowman" texts that constitute interpretations of Langland's poem. She demonstrates by example that what is culturally transmitted has not been just the work itself; it includes vestiges of past readers' encounters with the text that are traceable both in the way a text is presented as well as in the way that presentation is received.

Conditioned more by religious, historical, and economic forces than by literary concerns, Langland's poem became a part of the reformist tradition that culminated in Bunyan's Pilgrim's Progress. By understanding this tradition, Bunyan's place in it, and the way the reception of The Pilgrim's Progress illustrates the beginning of a new, more realistic fictional tradition, Johnson concludes, we can begin to delineate a more accurate history of the ways literature and society intersect, a history of readers reading.

Excerpt

In 1550 [Robert Crowley] printed the first edition of Pierce Plowman's Vision, but with the ideas of a controversialist, and with the view of helping forward the reformation by the revival of a book which exposed the absurdities of popery in strong satire, and which at present is only valuable or useful, as it serves to gratify the harmless researches of those peaceable philosophers who study the progression of antient literature.

Thomas Warton, The History of English Poetry

My intention was to deal with the venerable Bunyan as delicately as possible, and in no instance to deprive him of that beautiful simplicity, in which he will assuredly stand unrivaled to the end of the world. I admired his Pilgrim's guise, and wished only to adjust it in a few minute points, where it seemed to be inconsistent with the general decorum of his character. It appeared to me desirable, that he should be made to speak with a little more grammatical precision; that his extreme coarseness should be moderately abated; that he should be rendered less obscure in some passages, less tautological in others, and offensive in none. Joshua Gilpin, preface to "a new and corrected edition" of The Pilgrim's Progress
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