The Drama of Landscape: Land, Property, and Social Relations on the Early Modern Stage


Garrett A. Sullivan explores the ways in which a range of early modern plays - including King Lear the anonymous Arden of Faversham - intervene in the reconceptualisation of land and land ownership in the late 16th and early 17th centuries.


An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.