Keats's Odes and Contemporary Criticism

Keats's Odes and Contemporary Criticism

Keats's Odes and Contemporary Criticism

Keats's Odes and Contemporary Criticism


James O'Rourke examines the ways in which the modern reception to Keats's major odes reveals the investments made in these poems by successive generations of critical schools, particularly New Criticism, psychoanalysis, deconstruction, and New Historicism. O'Rourke's reading of the odes locates them within the contexts of literary and cultural history and recovers the innovative force of the poems in a way that speaks to the aesthetics and the politics of the present.

While the themes of Keats's odes are characteristically Romantic, they are also very modern. O'Rourke's analysis shows how such familiar Romantic themes as the pathos of solitude ("Ode to a Nightingale"), the inaccessibility of the past ("Ode on a Grecian Urn"), the excess of melancholia ("Ode on Melancholy"), and the beneficence of nature ("To Autumn") become culturally coded as "female", and he demonstrates how they confront the reader with familiar ideas in surprisingly fresh forms. This original study does much to illuminate what Keats's,most virtuosic work has to say about history, nature, gender, ourselves, and each other.


The maker's rage to order words of the sea, Words of the fragrant portals, dimly-starred, And of ourselves and of our origins, In ghostlier demarcations, keener sounds.

Stevens, "The Idea of Order at Key West"

Ghostlier Demarcations, Keener Sounds Intertextuality and Agency in the "Ode to a Nightingale"

Search by... Author
Show... All Results Primary Sources Peer-reviewed


An unknown error has occurred. Please click the button below to reload the page. If the problem persists, please try again in a little while.